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		<title>BoyWiki  - Recent changes [en]</title>
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		<description>Track the most recent changes to the wiki in this feed.</description>
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			<title>The Genesis Children (film)</title>
			<link>https://www.boywiki.org/en/index.php?title=The_Genesis_Children_(film)&amp;diff=57627&amp;oldid=56632</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=The_Genesis_Children_(film)&amp;diff=57627&amp;oldid=56632</guid>
			<description>&lt;p&gt;Wayback machine link for Swisher article. Someone uploaded it there.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:49, 9 November 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot of the film is apparently very much in tune with the 70s mentality, told in a non-linear fashion, with flashbacks and circularity. A group of boys in a boarding school in Rome answer an ad to &amp;quot;perform in a play before God&amp;quot;; a priest takes them to a beach (the Palinuro natural arch and its beach below Salerno)&amp;lt;ref&amp;gt;[https://goo.gl/maps/VRxpYkRHdn93L1zw6 Palinuro Beach on Google Maps]&amp;lt;/ref&amp;gt; and abandons them with a crate of food; they run about naked a lot; they crash then burn a Volkswagen minibus in a fit of fury; five dress and go home while three remain naked and stay. The &amp;#039;&amp;#039;Los Angeles Times&amp;#039;&amp;#039; review by Kevin Thomas said, &amp;quot;There&amp;#039;s enough earnestness to&amp;#039;&amp;#039; &amp;#039;The Genesis Children&amp;#039; &amp;#039;&amp;#039; (at the Encore) to allow for the possibility that its makers had something more in mind than an adolescent male nudie.  But that is what it becomes by default, so murky is their philosophizing and vague are ...&amp;quot; &amp;lt;ref&amp;gt;Thomas, Kevin. &amp;quot;&amp;#039;The Genesis Children&amp;#039; a Gambol on the Beach&amp;quot;. &amp;#039;&amp;#039;Los Angeles Times&amp;#039;&amp;#039;, 5 August 1972, p. B5&amp;lt;/ref&amp;gt; Filmed in 1970, copyright was registered (for a 91-minute version) on 26 October 1971.&amp;lt;ref name=LOCcard&amp;gt;[https://cdn.loc.gov/service/copyright/hprcatcard/19/71/19/77/GE/NE/RI/-G/EN/EZ/19711977GENERI-GENEZ/CC19711977GENERI-GENEZ.0334.jpg LOC copyright file card]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot of the film is apparently very much in tune with the 70s mentality, told in a non-linear fashion, with flashbacks and circularity. A group of boys in a boarding school in Rome answer an ad to &amp;quot;perform in a play before God&amp;quot;; a priest takes them to a beach (the Palinuro natural arch and its beach below Salerno)&amp;lt;ref&amp;gt;[https://goo.gl/maps/VRxpYkRHdn93L1zw6 Palinuro Beach on Google Maps]&amp;lt;/ref&amp;gt; and abandons them with a crate of food; they run about naked a lot; they crash then burn a Volkswagen minibus in a fit of fury; five dress and go home while three remain naked and stay. The &amp;#039;&amp;#039;Los Angeles Times&amp;#039;&amp;#039; review by Kevin Thomas said, &amp;quot;There&amp;#039;s enough earnestness to&amp;#039;&amp;#039; &amp;#039;The Genesis Children&amp;#039; &amp;#039;&amp;#039; (at the Encore) to allow for the possibility that its makers had something more in mind than an adolescent male nudie.  But that is what it becomes by default, so murky is their philosophizing and vague are ...&amp;quot; &amp;lt;ref&amp;gt;Thomas, Kevin. &amp;quot;&amp;#039;The Genesis Children&amp;#039; a Gambol on the Beach&amp;quot;. &amp;#039;&amp;#039;Los Angeles Times&amp;#039;&amp;#039;, 5 August 1972, p. B5&amp;lt;/ref&amp;gt; Filmed in 1970, copyright was registered (for a 91-minute version) on 26 October 1971.&amp;lt;ref name=LOCcard&amp;gt;[https://cdn.loc.gov/service/copyright/hprcatcard/19/71/19/77/GE/NE/RI/-G/EN/EZ/19711977GENERI-GENEZ/CC19711977GENERI-GENEZ.0334.jpg LOC copyright file card]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The movie opened on Friday, August 2, 1972 at the Encore Theater at Melrose-Van Ness in Hollywood, where it continued until September 10.&amp;lt;ref&amp;gt;[https://latimes.newspapers.com/search/#query=%22The+Genesis+Children%22&amp;amp;dr_year=1972-1972 L.A. Times search at newspapers.com]&amp;lt;/ref&amp;gt; The Encore was &quot;repertory house for old 30s-60s movies and foreign films&quot;.&amp;lt;ref&amp;gt;[http://cinematreasures.org/theaters/1129 Encore] on Cinema Treasures&amp;lt;/ref&amp;gt; In 1972, the Metropolitan Community Church, founded to minister to homosexuals, was holding Sunday services at the Encore.&amp;lt;ref&amp;gt;[http://foundersmcc.org/about/about-founders-mcc/history-of-mccla-founders-mcc/ MCC] held services at the Encore.&amp;lt;/ref&amp;gt; A long interview with Mr. Byars by Violet Helgy Swisher appeared in the September, 1972 issue of &#039;&#039;After Dark&#039;&#039; magazine.&amp;lt;ref name=&quot;Swisher&quot;&amp;gt;Swisher, Viola Hegyi. &quot;Generating &#039;&#039;The Genesis Children&#039;&#039;&quot;. &#039;&#039;After Dark&#039;&#039;, September 1972, p. 18. Available &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;media depository&lt;/del&gt;, https://&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;www.boywiki&lt;/del&gt;.org/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;media&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;File:Generating_Genesis.pdf&lt;/del&gt;&amp;lt;/ref&amp;gt;   The magazine&#039;s public was closeted homosexuals.&amp;lt;ref&amp;gt;[https://ctvoice.com/2021/03/15/the-fabulous-70s-decade-of-after-dark-magazine/ Rizzo, Frank], &quot;The Fabulous ’70s Decade of After Dark Magazine&quot;, &#039;&#039;Connecticut Voice&#039;&#039;, March 15, 2021&amp;lt;/ref&amp;gt; An ad in alternate newspaper &#039;&#039;Los Angeles Free Press&#039;&#039; announces, &quot;If beauty offends you, do not, &#039;&#039;&#039;do not&#039;&#039;&#039;, see this film - for here are naked young boys on an Italian beach, searching for &#039;&#039;&#039;the real meaning of life&#039;&#039;&#039;! Rated X. Now playing!&quot;&amp;lt;ref name=Rubine1972&amp;gt;[https://www.jstor.org/stable/community.28039998 Advertisement. &quot;The Genesis Children&quot;] &#039;&#039;Los Angeles Free Press&#039;&#039;, Volume 9, issue 422, August 18-28, 1972 P.10&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The movie opened on Friday, August 2, 1972 at the Encore Theater at Melrose-Van Ness in Hollywood, where it continued until September 10.&amp;lt;ref&amp;gt;[https://latimes.newspapers.com/search/#query=%22The+Genesis+Children%22&amp;amp;dr_year=1972-1972 L.A. Times search at newspapers.com]&amp;lt;/ref&amp;gt; The Encore was &quot;repertory house for old 30s-60s movies and foreign films&quot;.&amp;lt;ref&amp;gt;[http://cinematreasures.org/theaters/1129 Encore] on Cinema Treasures&amp;lt;/ref&amp;gt; In 1972, the Metropolitan Community Church, founded to minister to homosexuals, was holding Sunday services at the Encore.&amp;lt;ref&amp;gt;[http://foundersmcc.org/about/about-founders-mcc/history-of-mccla-founders-mcc/ MCC] held services at the Encore.&amp;lt;/ref&amp;gt; A long interview with Mr. Byars by Violet Helgy Swisher appeared in the September, 1972 issue of &#039;&#039;After Dark&#039;&#039; magazine.&amp;lt;ref name=&quot;Swisher&quot;&amp;gt;Swisher, Viola Hegyi. &quot;Generating &#039;&#039;The Genesis Children&#039;&#039;&quot;. &#039;&#039;After Dark&#039;&#039;, September 1972, p. 18. Available &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;on &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Wayback Machine&lt;/ins&gt;, https://&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;archive&lt;/ins&gt;.org/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;details&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;generating-genesis&lt;/ins&gt;&amp;lt;/ref&amp;gt;   The magazine&#039;s public was closeted homosexuals.&amp;lt;ref&amp;gt;[https://ctvoice.com/2021/03/15/the-fabulous-70s-decade-of-after-dark-magazine/ Rizzo, Frank], &quot;The Fabulous ’70s Decade of After Dark Magazine&quot;, &#039;&#039;Connecticut Voice&#039;&#039;, March 15, 2021&amp;lt;/ref&amp;gt; An ad in alternate newspaper &#039;&#039;Los Angeles Free Press&#039;&#039; announces, &quot;If beauty offends you, do not, &#039;&#039;&#039;do not&#039;&#039;&#039;, see this film - for here are naked young boys on an Italian beach, searching for &#039;&#039;&#039;the real meaning of life&#039;&#039;&#039;! Rated X. Now playing!&quot;&amp;lt;ref name=Rubine1972&amp;gt;[https://www.jstor.org/stable/community.28039998 Advertisement. &quot;The Genesis Children&quot;] &#039;&#039;Los Angeles Free Press&#039;&#039;, Volume 9, issue 422, August 18-28, 1972 P.10&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Controversy ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Controversy ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Mon, 09 Nov 2026 20:49:53 GMT</pubDate>
			<dc:creator>Sneeuwbol</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:The_Genesis_Children_(film)</comments>
		</item>
		<item>
			<title>Ribald Pederastic Eroticism in a Poem by Ṣadr ad-Dīn Ibn ʿAbd al-Ḥaqq</title>
			<link>https://www.boywiki.org/en/Ribald_Pederastic_Eroticism_in_a_Poem_by_%E1%B9%A2adr_ad-D%C4%ABn_Ibn_%CA%BFAbd_al-%E1%B8%A4aqq</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/Ribald_Pederastic_Eroticism_in_a_Poem_by_%E1%B9%A2adr_ad-D%C4%ABn_Ibn_%CA%BFAbd_al-%E1%B8%A4aqq</guid>
			<description>&lt;p&gt;&lt;a href=&quot;/en/User:Dandelion&quot; class=&quot;mw-userlink&quot; title=&quot;User:Dandelion&quot;&gt;&lt;bdi&gt;Dandelion&lt;/bdi&gt;&lt;/a&gt; deleted page &lt;a href=&quot;/en/index.php?title=Ribald_Pederastic_Eroticism_in_a_Poem_by_%E1%B9%A2adr_ad-D%C4%ABn_Ibn_%CA%BFAbd_al-%E1%B8%A4aqq&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Ribald Pederastic Eroticism in a Poem by Ṣadr ad-Dīn Ibn ʿAbd al-Ḥaqq (page does not exist)&quot;&gt;Ribald Pederastic Eroticism in a Poem by Ṣadr ad-Dīn Ibn ʿAbd al-Ḥaqq&lt;/a&gt; content was: &amp;quot;&lt;a href=&quot;/en/File:Fellah_(Arab)_Donkey_Boy._Egypt.png&quot; title=&quot;File:Fellah (Arab) Donkey Boy. Egypt.png&quot;&gt;thumb|center|&amp;lt;i&amp;gt;Fellah (Arab) Donkey Boy&amp;lt;/i&amp;gt;, Egypt. Engraving from &amp;lt;i&amp;gt;The Peoples of the World&amp;lt;/i&amp;gt; (1882), Vol. 2, by Robert Brown.&lt;/a&gt;   From &amp;lt;i&amp;gt;How Do You Say &amp;quot;Epigram&amp;quot; in Arabic?: Literary History at the Limits of Comparison&amp;lt;/i&amp;gt; by Adam Talib, &amp;lt;i&amp;gt;Brill Studies in Middle Eastern Literatures&amp;lt;/i&amp;gt;, Volume 40 (Leiden, Netherlands;...&amp;quot;, and the only contributor was &amp;quot;&lt;a href=&quot;/en/Special:Contributions/Dandelion&quot; title=&quot;Special:Contributions/Dandelion&quot;&gt;Dandelion&lt;/a&gt;&amp;quot; (&lt;a href=&quot;/en/User_talk:Dandelion&quot; title=&quot;User talk:Dandelion&quot;&gt;talk&lt;/a&gt;)&lt;/p&gt;
</description>
			<pubDate>Sat, 17 Oct 2026 09:06:00 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:Ribald_Pederastic_Eroticism_in_a_Poem_by_%E1%B9%A2adr_ad-D%C4%ABn_Ibn_%CA%BFAbd_al-%E1%B8%A4aqq</comments>
		</item>
		<item>
			<title>(Boylove Documentary Sourcebook) - Ribald Pederastic Eroticism in a Poem by Ṣadr ad-Dīn Ibn ʿAbd al-Ḥaqq</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_Ribald_Pederastic_Eroticism_in_a_Poem_by_%E1%B9%A2adr_ad-D%C4%ABn_Ibn_%CA%BFAbd_al-%E1%B8%A4aqq&amp;diff=57626&amp;oldid=57625</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_Ribald_Pederastic_Eroticism_in_a_Poem_by_%E1%B9%A2adr_ad-D%C4%ABn_Ibn_%CA%BFAbd_al-%E1%B8%A4aqq&amp;diff=57626&amp;oldid=57625</guid>
			<description>&lt;p&gt;Replaced the redirect link with the new content if the page&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:04, 17 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;REDIRECT &lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ribald Pederastic Eroticism in a &lt;/del&gt;Poem &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;by &lt;/del&gt;Ṣadr ad-Dīn Ibn ʿAbd al-Ḥaqq]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Fellah (Arab) Donkey Boy. Egypt.png|thumb|center|&amp;lt;i&amp;gt;Fellah (Arab) Donkey Boy&amp;lt;/i&amp;gt;, Egypt. Engraving from &amp;lt;i&amp;gt;The Peoples of the World&amp;lt;/i&amp;gt; (1882), Vol. 2, by Robert Brown.]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;From &amp;lt;i&amp;gt;How Do You Say &quot;Epigram&quot; in Arabic?: Literary History at the Limits of Comparison&amp;lt;/i&amp;gt; by Adam Talib, &amp;lt;i&amp;gt;Brill Studies in Middle Eastern Literatures&amp;lt;/i&amp;gt;, Volume 40 (Leiden, Netherlands; Boston: Brill, 2017). Footnotes omitted.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;div style=&quot;margin:.5em auto; width:95%; min-height:5em; background-color:&lt;/ins&gt;#&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;F5FAFF; border:3px solid #c9c9ff; padding:1em;&quot;&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The vitality, sophistication and sheer diversity of the &amp;lt;i&amp;gt;mujūn-maqṭūʿ&amp;lt;/i&amp;gt; subgenre can be seen equally well in the following micro-collection of &amp;lt;i&amp;gt;mujūn maqāṭīʿ&amp;lt;/i&amp;gt;-poems from Shihāb ad-Dīn al-Ḥijāzī al-Khazrajī’s (d. 875/1471) &amp;lt;i&amp;gt;Rawḍ al-ādāb&amp;lt;/i&amp;gt; (part three, chapter eight), an important literary anthology discussed in the previous chapter:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;...]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[Poem &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;23] &lt;/ins&gt;Ṣadr ad-Dīn Ibn ʿAbd al-Ḥaqq&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;blockquote&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;I’ve got a big (&amp;lt;i&amp;gt;kabīr&amp;lt;/i&amp;gt;) cock. So when the young boy (&amp;lt;i&amp;gt;ṣaghīr&amp;lt;/i&amp;gt;) said,&amp;lt;br&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Stab my insides and be valiant!”&amp;lt;br&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;I said, “It’s not permitted.” But he replied,&amp;lt;br&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“I say it is” so I fucked him on his own authority (&amp;lt;i&amp;gt;taqlīd&amp;lt;/i&amp;gt;).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/blockquote&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/div&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Group of men lining up to have anal sex with a youth. Ottoman miniature painting from a 1691 copy of the Hamse-i Atâyî by Nev&#039;îzâde Atâyî.png|thumb|center|Group of men lining up to have [[Anal intercourse|anal sex]] with a youth. [[Ottoman Empire|Ottoman]] miniature painting from a 1691 copy of the &amp;lt;i&amp;gt;Quintet of Atâyî&amp;lt;/i&amp;gt; (خمسۂ عطاۓ &amp;lt;i&amp;gt;Hamse-i Atâyî&amp;lt;/i&amp;gt;) by Nev&#039;îzâde Atâyî (1583–1635). Istanbul, Türk ve İslam Eserleri Müzesi, Inv. No. 1969.]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==See also==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Adult friend (dictionary)]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Boylove]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Ephebophilia]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Ghilman]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Köçek]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Loved boy (dictionary)]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Minor-attracted person (dictionary)]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Pederasty in the Middle East and Central Asia]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Pedophilia]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Sufism]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Tellak]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Young friend (dictionary)]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Boylove Documentary Sourcebook]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Egypt]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Arabic literature]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Boylove in literature]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Poetry]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Sexuality]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:LGBT articles&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Sat, 17 Oct 2026 09:04:36 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_Ribald_Pederastic_Eroticism_in_a_Poem_by_%E1%B9%A2adr_ad-D%C4%ABn_Ibn_%CA%BFAbd_al-%E1%B8%A4aqq</comments>
		</item>
		<item>
			<title>(Boylove Documentary Sourcebook) - Ribald Pederastic Eroticism in a Poem by Ṣadr ad-Dīn Ibn ʿAbd al-Ḥaqq</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_Ribald_Pederastic_Eroticism_in_a_Poem_by_%E1%B9%A2adr_ad-D%C4%ABn_Ibn_%CA%BFAbd_al-%E1%B8%A4aqq&amp;diff=57624&amp;oldid=0</link>
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			<description>&lt;p&gt;&lt;a href=&quot;/en/User:Dandelion&quot; class=&quot;mw-userlink&quot; title=&quot;User:Dandelion&quot;&gt;&lt;bdi&gt;Dandelion&lt;/bdi&gt;&lt;/a&gt; moved page &lt;a href=&quot;/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_Ribald_Pederastic_Eroticism_in_a_Poem_by_%E1%B9%A2adr_ad-D%C4%ABn_Ibn_%CA%BFAbd_al-%E1%B8%A4aqq&amp;amp;redirect=no&quot; title=&quot;(Boylove Documentary Sourcebook) - Ribald Pederastic Eroticism in a Poem by Ṣadr ad-Dīn Ibn ʿAbd al-Ḥaqq&quot;&gt;(Boylove Documentary Sourcebook) - Ribald Pederastic Eroticism in a Poem by Ṣadr ad-Dīn Ibn ʿAbd al-Ḥaqq&lt;/a&gt; to &lt;a href=&quot;/en/index.php?title=Ribald_Pederastic_Eroticism_in_a_Poem_by_%E1%B9%A2adr_ad-D%C4%ABn_Ibn_%CA%BFAbd_al-%E1%B8%A4aqq&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Ribald Pederastic Eroticism in a Poem by Ṣadr ad-Dīn Ibn ʿAbd al-Ḥaqq (page does not exist)&quot;&gt;Ribald Pederastic Eroticism in a Poem by Ṣadr ad-Dīn Ibn ʿAbd al-Ḥaqq&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;/div&gt;</description>
			<pubDate>Sat, 17 Oct 2026 09:02:34 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_Ribald_Pederastic_Eroticism_in_a_Poem_by_%E1%B9%A2adr_ad-D%C4%ABn_Ibn_%CA%BFAbd_al-%E1%B8%A4aqq</comments>
		</item>
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			<title>(Boylove Documentary Sourcebook) - The Physically Expressed Sexual Aspect of Ancient Spartan Pederasty as Depicted in &#039;On the Republic&#039; by Cicero</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Physically_Expressed_Sexual_Aspect_of_Ancient_Spartan_Pederasty_as_Depicted_in_%27On_the_Republic%27_by_Cicero&amp;diff=57623&amp;oldid=49567</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Physically_Expressed_Sexual_Aspect_of_Ancient_Spartan_Pederasty_as_Depicted_in_%27On_the_Republic%27_by_Cicero&amp;diff=57623&amp;oldid=49567</guid>
			<description>&lt;p&gt;Added a missing date to the text of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:50, 17 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;font-size:92%&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;font-size:92%&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;i&amp;gt;Cicero (106–43 B.C.E.) was the most versatile orator and literary figure of the late Republic, and a statesman who attempted to preserve republican government at a time when it was under threat from many quarters. His &amp;lt;/i&amp;gt;Republic&amp;lt;i&amp;gt;, completed in, is a philosophical treatise on the best form of government, but is not preserved in its entirety. In this fragmentary section he discusses [[Spartan pederasty|Spartan customs]].&amp;lt;/i&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;i&amp;gt;Cicero (106–43 B.C.E.) was the most versatile orator and literary figure of the late Republic, and a statesman who attempted to preserve republican government at a time when it was under threat from many quarters. His &amp;lt;/i&amp;gt;Republic&amp;lt;i&amp;gt;, completed in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;51&lt;/ins&gt;, is a philosophical treatise on the best form of government, but is not preserved in its entirety. In this fragmentary section he discusses [[Spartan pederasty|Spartan customs]].&amp;lt;/i&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Sat, 17 Oct 2026 08:50:20 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Physically_Expressed_Sexual_Aspect_of_Ancient_Spartan_Pederasty_as_Depicted_in_%27On_the_Republic%27_by_Cicero</comments>
		</item>
		<item>
			<title>(Boylove Documentary Sourcebook) - On the Practice of &quot;Love of Beauty&quot; in 1930s Albania</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_On_the_Practice_of_%22Love_of_Beauty%22_in_1930s_Albania&amp;diff=57622&amp;oldid=48931</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_On_the_Practice_of_%22Love_of_Beauty%22_in_1930s_Albania&amp;diff=57622&amp;oldid=48931</guid>
			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:41, 17 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;The Ocean of the Soul: Men, the World and God in the Stories of Farīd al-Dīn ʿAṭṭār&amp;lt;/i&amp;gt; (&amp;lt;i&amp;gt;Das Meer der Seele:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;The Ocean of the Soul: Men, the World and God in the Stories of Farīd al-Dīn ʿAṭṭār&amp;lt;/i&amp;gt; (&amp;lt;i&amp;gt;Das Meer der Seele:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mensch, Welt und Gott in den Geschichten des Farīduddīn ʿAṭṭār&amp;lt;/i&amp;gt;, 1955) by Hellmut Ritter, translated by John O&#039;Kane with editorial assistance of Bernd Radtke, &amp;lt;i&amp;gt;Handbook of Oriental Studies&amp;lt;/i&amp;gt; (Leiden, Netherlands; Boston: Brill, 2003).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mensch, Welt und Gott in den Geschichten des Farīduddīn ʿAṭṭār&amp;lt;/i&amp;gt;, 1955) by Hellmut Ritter, translated by John O&#039;Kane with editorial assistance of Bernd Radtke, &amp;lt;i&amp;gt;Handbook of Oriental Studies&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 69 &lt;/ins&gt;(Leiden, Netherlands; Boston: Brill, 2003).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Sat, 17 Oct 2026 08:41:39 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_On_the_Practice_of_%22Love_of_Beauty%22_in_1930s_Albania</comments>
		</item>
		<item>
			<title>(Boylove Documentary Sourcebook) - The Sexual Initiation of Dale Winton</title>
			<link>https://www.boywiki.org/en/(Boylove_Documentary_Sourcebook)_-_The_Sexual_Initiation_of_Dale_Winton</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/(Boylove_Documentary_Sourcebook)_-_The_Sexual_Initiation_of_Dale_Winton</guid>
			<description>&lt;p&gt;&lt;a href=&quot;/en/User:Dandelion&quot; class=&quot;mw-userlink&quot; title=&quot;User:Dandelion&quot;&gt;&lt;bdi&gt;Dandelion&lt;/bdi&gt;&lt;/a&gt; deleted page &lt;a href=&quot;/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Sexual_Initiation_of_Dale_Winton&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;(Boylove Documentary Sourcebook) - The Sexual Initiation of Dale Winton (page does not exist)&quot;&gt;(Boylove Documentary Sourcebook) - The Sexual Initiation of Dale Winton&lt;/a&gt; content was: &amp;quot;&lt;a href=&quot;/en/File:Dale_Jonathan_Winton_(1955%E2%80%932018).jpg&quot; title=&quot;File:Dale Jonathan Winton (1955–2018).jpg&quot;&gt;thumb|center|Dale Jonathan Winton (1955–2018).&lt;/a&gt;   From &amp;quot;The Sue Carroll Interview: I&amp;#039;ve had a little nip and tuck. I&amp;#039;m not vain, if you&amp;#039;re in TV it&amp;#039;s part of the job; Exclusive: Dale Winton on Sex and Cosmetic Surgery&amp;quot; by Sue Carroll, in &amp;lt;i&amp;gt;The Daily Mirror&amp;lt;/i&amp;gt;, October 23, 2002.  &amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; m...&amp;quot;, and the only contributor was &amp;quot;&lt;a href=&quot;/en/Special:Contributions/Dandelion&quot; title=&quot;Special:Contributions/Dandelion&quot;&gt;Dandelion&lt;/a&gt;&amp;quot; (&lt;a href=&quot;/en/User_talk:Dandelion&quot; title=&quot;User talk:Dandelion&quot;&gt;talk&lt;/a&gt;)&lt;/p&gt;
</description>
			<pubDate>Fri, 16 Oct 2026 06:39:27 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Sexual_Initiation_of_Dale_Winton</comments>
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		<item>
			<title>(Boylove Documentary Sourcebook) - The First Gay Encounter of Dale Winton</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_First_Gay_Encounter_of_Dale_Winton&amp;diff=57620&amp;oldid=0</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_First_Gay_Encounter_of_Dale_Winton&amp;diff=57620&amp;oldid=0</guid>
			<description>&lt;p&gt;Created page with &amp;quot;&lt;a href=&quot;/en/File:Dale_Jonathan_Winton_(1955%E2%80%932018).jpg&quot; title=&quot;File:Dale Jonathan Winton (1955–2018).jpg&quot;&gt;thumb|center|Dale Jonathan Winton (1955–2018).&lt;/a&gt;   From &amp;quot;The Sue Carroll Interview: I&amp;#039;ve had a little nip and tuck. I&amp;#039;m not vain, if you&amp;#039;re in TV it&amp;#039;s part of the job; Exclusive: Dale Winton on Sex and Cosmetic Surgery&amp;quot; by Sue Carroll, in &amp;lt;i&amp;gt;The Daily Mirror&amp;lt;/i&amp;gt;, October 23, 2002.  &amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt; He understood his &amp;quot;[...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File:Dale Jonathan Winton (1955–2018).jpg|thumb|center|Dale Jonathan Winton (1955–2018).]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
From &amp;quot;The Sue Carroll Interview: I&amp;#039;ve had a little nip and tuck. I&amp;#039;m not vain, if you&amp;#039;re in TV it&amp;#039;s part of the job; Exclusive: Dale Winton on Sex and Cosmetic Surgery&amp;quot; by Sue Carroll, in &amp;lt;i&amp;gt;The Daily Mirror&amp;lt;/i&amp;gt;, October 23, 2002.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;br /&gt;
He understood his &amp;quot;[[Sexual orientation|drives]]&amp;quot; as he put it by the age of 14 when he lost his virginity.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I knew I was [[Homosexuality|gay]] then,&amp;quot; he says, &amp;quot;and so I slept with a man. I wasn&amp;#039;t abused, it was consensual. I never felt that it was wrong. I think sex is great, one of the best things in life that&amp;#039;s free.&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[File:Boys&amp;#039; Shirts. Advance Pattern Company 3348 (ca. 1963).jpg|thumb|center|Boys&amp;#039; Shirts. Sewing pattern envelope for &amp;lt;i&amp;gt;Advance Pattern Company&amp;lt;/i&amp;gt; #3348 (ca. 1963).]]&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*[https://www.thefreelibrary.com/THE+SUE+CARROLL+INTERVIEW%3A+I&amp;#039;ve+had+a+little+nip+and+tuck.I&amp;#039;m+not...-a093176061 THE SUE CARROLL INTERVIEW: I&amp;#039;ve had a little nip and tuck.I&amp;#039;m not vain, if you&amp;#039;re in TV it&amp;#039;s part of the job; EXCLUSIVE: DALE WINTON ON SEX AND COSMETIC SURGERY. (The Free Library)]&lt;br /&gt;
&lt;br /&gt;
[[Category:Boylove Documentary Sourcebook]]&lt;br /&gt;
[[Category:United Kingdom]]&lt;br /&gt;
[[Category:Sexuality]]&lt;br /&gt;
[[Category:LGBT articles]]&lt;/div&gt;</description>
			<pubDate>Fri, 16 Oct 2026 06:35:47 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_First_Gay_Encounter_of_Dale_Winton</comments>
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			<title>(Boylove Documentary Sourcebook) - Pederastic Desire in a Poem by Theocritus</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_Pederastic_Desire_in_a_Poem_by_Theocritus&amp;diff=57619&amp;oldid=50633</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_Pederastic_Desire_in_a_Poem_by_Theocritus&amp;diff=57619&amp;oldid=50633</guid>
			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:15, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Idylls&amp;lt;/i&amp;gt; (Ancient Greek: Εἰδύλλια &amp;lt;i&amp;gt;Eidullia&amp;lt;/i&amp;gt;, c. 270 BC) by Theocritus, in &amp;lt;i&amp;gt;Theocritus. Moschus. Bion&amp;lt;/i&amp;gt;, translated by Neil Hopkinson, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (Cambridge, Massachusetts: Harvard University Press, 2015). Footnotes omitted.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Idylls&amp;lt;/i&amp;gt; (Ancient Greek: Εἰδύλλια &amp;lt;i&amp;gt;Eidullia&amp;lt;/i&amp;gt;, c. 270 BC) by Theocritus, in &amp;lt;i&amp;gt;Theocritus. Moschus. Bion&amp;lt;/i&amp;gt;, translated by Neil Hopkinson, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 28 &lt;/ins&gt;(Cambridge, Massachusetts: Harvard University Press, 2015). Footnotes omitted.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 06:15:44 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_Pederastic_Desire_in_a_Poem_by_Theocritus</comments>
		</item>
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			<title>(Boylove Documentary Sourcebook) - The Great Honors Bestowed by Emperor Hadrian upon the Death of Antinous, His Young Male Beloved, as Stated in the &#039;Roman History&#039; by Dio Cassius</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Great_Honors_Bestowed_by_Emperor_Hadrian_upon_the_Death_of_Antinous,_His_Young_Male_Beloved,_as_Stated_in_the_%27Roman_History%27_by_Dio_Cassius&amp;diff=57618&amp;oldid=49556</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Great_Honors_Bestowed_by_Emperor_Hadrian_upon_the_Death_of_Antinous,_His_Young_Male_Beloved,_as_Stated_in_the_%27Roman_History%27_by_Dio_Cassius&amp;diff=57618&amp;oldid=49556</guid>
			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:15, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Roman History&amp;lt;/i&amp;gt; (Ancient Greek: Ῥωμαϊκὴ Ἱστορία &amp;lt;i&amp;gt;Romaike Istoria&amp;lt;/i&amp;gt;, Latin: &amp;lt;i&amp;gt;Historia Romana&amp;lt;/i&amp;gt; [c. 230 AD]), Book 69, Chapter 11, by Dio Cassius, translated by Earnest Cary and Herbert B. Foster, Volume 8, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1925). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Roman History&amp;lt;/i&amp;gt; (Ancient Greek: Ῥωμαϊκὴ Ἱστορία &amp;lt;i&amp;gt;Romaike Istoria&amp;lt;/i&amp;gt;, Latin: &amp;lt;i&amp;gt;Historia Romana&amp;lt;/i&amp;gt; [c. 230 AD]), Book 69, Chapter 11, by Dio Cassius, translated by Earnest Cary and Herbert B. Foster, Volume 8, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 176 &lt;/ins&gt;(London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1925). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note 1:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;Antinous or Antinoös (c. 111–130 AD), a Bithynian Greek youth born in Claudiopolis (present day Bolu, Turkey), was probably introduced to the Roman emperor Hadrian in 123 AD (aged around 12), before being taken to Italy for a higher education. He had become the favourite of Hadrian by 128 AD (aged around 17), when he was taken on a tour of the Roman Empire as part of Hadrian&amp;#039;s personal retinue. In October 130 AD (aged around 19), as they were part of a flotilla going along the Nile, Antinous died amid mysterious circumstances. Following his death, Hadrian deified Antinous and founded an organised cult devoted to his worship that spread throughout the Empire.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;https://en.wikipedia.org/wiki/Antinous&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note 1:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;Antinous or Antinoös (c. 111–130 AD), a Bithynian Greek youth born in Claudiopolis (present day Bolu, Turkey), was probably introduced to the Roman emperor Hadrian in 123 AD (aged around 12), before being taken to Italy for a higher education. He had become the favourite of Hadrian by 128 AD (aged around 17), when he was taken on a tour of the Roman Empire as part of Hadrian&amp;#039;s personal retinue. In October 130 AD (aged around 19), as they were part of a flotilla going along the Nile, Antinous died amid mysterious circumstances. Following his death, Hadrian deified Antinous and founded an organised cult devoted to his worship that spread throughout the Empire.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;https://en.wikipedia.org/wiki/Antinous&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 06:15:36 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Great_Honors_Bestowed_by_Emperor_Hadrian_upon_the_Death_of_Antinous,_His_Young_Male_Beloved,_as_Stated_in_the_%27Roman_History%27_by_Dio_Cassius</comments>
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			<title>(Boylove Documentary Sourcebook) - A Satirical Advice on Pederastic Sex Acts in a Poem by Martial</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_A_Satirical_Advice_on_Pederastic_Sex_Acts_in_a_Poem_by_Martial&amp;diff=57617&amp;oldid=50823</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_A_Satirical_Advice_on_Pederastic_Sex_Acts_in_a_Poem_by_Martial&amp;diff=57617&amp;oldid=50823</guid>
			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:15, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Epigrams&amp;lt;/i&amp;gt; (Latin: &amp;lt;i&amp;gt;Epigrammata&amp;lt;/i&amp;gt;, c. 86–103 AD), Book 11, by Martial, translated by D. R. Shackleton Bailey, Volume 3, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1993). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Epigrams&amp;lt;/i&amp;gt; (Latin: &amp;lt;i&amp;gt;Epigrammata&amp;lt;/i&amp;gt;, c. 86–103 AD), Book 11, by Martial, translated by D. R. Shackleton Bailey, Volume 3, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 480 &lt;/ins&gt;(London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1993). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 06:15:26 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_A_Satirical_Advice_on_Pederastic_Sex_Acts_in_a_Poem_by_Martial</comments>
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			<title>(Boylove Documentary Sourcebook) - An Excerpt from &#039;On the Characteristics of Animals&#039; by Aelian</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_An_Excerpt_from_%27On_the_Characteristics_of_Animals%27_by_Aelian&amp;diff=57616&amp;oldid=50611</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_An_Excerpt_from_%27On_the_Characteristics_of_Animals%27_by_Aelian&amp;diff=57616&amp;oldid=50611</guid>
			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:15, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;On the Characteristics of Animals&amp;lt;/i&amp;gt; (Ancient Greek: Περὶ Ζῴων Ἰδιότητος &amp;lt;i&amp;gt;Peri Zōōn Idiotētos&amp;lt;/i&amp;gt;; Latin: &amp;lt;i&amp;gt;De Natura Animalium&amp;lt;/i&amp;gt; [Early 3rd Century AD]), Book 4, Chapter 1, by Aelian, translated by A. F. Scholfield, Volume 1, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1958). Footnote omitted.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;On the Characteristics of Animals&amp;lt;/i&amp;gt; (Ancient Greek: Περὶ Ζῴων Ἰδιότητος &amp;lt;i&amp;gt;Peri Zōōn Idiotētos&amp;lt;/i&amp;gt;; Latin: &amp;lt;i&amp;gt;De Natura Animalium&amp;lt;/i&amp;gt; [Early 3rd Century AD]), Book 4, Chapter 1, by Aelian, translated by A. F. Scholfield, Volume 1, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 446 &lt;/ins&gt;(London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1958). Footnote omitted.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;The names of the &amp;lt;/i&amp;gt;[[erastes]]&amp;lt;i&amp;gt; and the &amp;lt;/i&amp;gt;[[eromenos]]&amp;lt;i&amp;gt; who appear in the anecdote narrated in the excerpt below are not found in any surviving work by Aelian.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;Aelian, &amp;lt;i&amp;gt;On the Characteristics of Animals&amp;lt;/i&amp;gt;, trans. A. F. Scholfield, Vol. 1, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1958), p. 215.&amp;lt;/ref&amp;gt; &amp;lt;i&amp;gt;A similar story about a Theban lover is cited in Chapter 18 of the &amp;lt;/i&amp;gt;Life of Pelopidas&amp;lt;i&amp;gt; (Early 2nd Century AD) by [[Plutarch]].&amp;lt;/i&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;The names of the &amp;lt;/i&amp;gt;[[erastes]]&amp;lt;i&amp;gt; and the &amp;lt;/i&amp;gt;[[eromenos]]&amp;lt;i&amp;gt; who appear in the anecdote narrated in the excerpt below are not found in any surviving work by Aelian.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;Aelian, &amp;lt;i&amp;gt;On the Characteristics of Animals&amp;lt;/i&amp;gt;, trans. A. F. Scholfield, Vol. 1, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1958), p. 215.&amp;lt;/ref&amp;gt; &amp;lt;i&amp;gt;A similar story about a Theban lover is cited in Chapter 18 of the &amp;lt;/i&amp;gt;Life of Pelopidas&amp;lt;i&amp;gt; (Early 2nd Century AD) by [[Plutarch]].&amp;lt;/i&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 06:15:14 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_An_Excerpt_from_%27On_the_Characteristics_of_Animals%27_by_Aelian</comments>
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			<title>(Boylove Documentary Sourcebook) - Pederastic Desire in a Poem by Rhianus</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_Pederastic_Desire_in_a_Poem_by_Rhianus&amp;diff=57615&amp;oldid=50575</link>
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			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:15, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;The Boyish Muse&amp;lt;/i&amp;gt; (Ancient Greek: Μοῦσα Παιδική &amp;lt;i&amp;gt;Mousa Paidike&amp;lt;/i&amp;gt;; Latin: &amp;lt;i&amp;gt;Musa Puerilis&amp;lt;/i&amp;gt; [2nd Century AD]), compiled by [[Straton of Sardis|Strato]], in Book 12 of &amp;lt;i&amp;gt;The Greek Anthology&amp;lt;/i&amp;gt; (Latin: &amp;lt;i&amp;gt;Anthologia Graeca&amp;lt;/i&amp;gt;, 10th–14th Century), Volume 4, translated by W. R. Paton, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1918).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;The Boyish Muse&amp;lt;/i&amp;gt; (Ancient Greek: Μοῦσα Παιδική &amp;lt;i&amp;gt;Mousa Paidike&amp;lt;/i&amp;gt;; Latin: &amp;lt;i&amp;gt;Musa Puerilis&amp;lt;/i&amp;gt; [2nd Century AD]), compiled by [[Straton of Sardis|Strato]], in Book 12 of &amp;lt;i&amp;gt;The Greek Anthology&amp;lt;/i&amp;gt; (Latin: &amp;lt;i&amp;gt;Anthologia Graeca&amp;lt;/i&amp;gt;, 10th–14th Century), Volume 4, translated by W. R. Paton, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 85 &lt;/ins&gt;(London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1918).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 06:15:09 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_Pederastic_Desire_in_a_Poem_by_Rhianus</comments>
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			<title>(Boylove Documentary Sourcebook) - The Conventional Pederastic Ancient Greek Lyrical Motif of the Mythological Comparison of a Young Male Beloved to Deities or Heroes, as Featured in a Poem by Alcaeus</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Conventional_Pederastic_Ancient_Greek_Lyrical_Motif_of_the_Mythological_Comparison_of_a_Young_Male_Beloved_to_Deities_or_Heroes,_as_Featured_in_a_Poem_by_Alcaeus&amp;diff=57614&amp;oldid=49942</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Conventional_Pederastic_Ancient_Greek_Lyrical_Motif_of_the_Mythological_Comparison_of_a_Young_Male_Beloved_to_Deities_or_Heroes,_as_Featured_in_a_Poem_by_Alcaeus&amp;diff=57614&amp;oldid=49942</guid>
			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:15, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;The Boyish Muse&amp;lt;/i&amp;gt; (Ancient Greek: Μοῦσα Παιδική &amp;lt;i&amp;gt;Mousa Paidike&amp;lt;/i&amp;gt;; Latin: &amp;lt;i&amp;gt;Musa Puerilis&amp;lt;/i&amp;gt; [2nd Century AD]), compiled by [[Straton of Sardis|Strato]], in Book 12 of &amp;lt;i&amp;gt;The Greek Anthology&amp;lt;/i&amp;gt; (Latin: &amp;lt;i&amp;gt;Anthologia Graeca&amp;lt;/i&amp;gt;, 10th–14th Century), Volume 4, translated by W. R. Paton, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1918). Footnote omitted.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;The Boyish Muse&amp;lt;/i&amp;gt; (Ancient Greek: Μοῦσα Παιδική &amp;lt;i&amp;gt;Mousa Paidike&amp;lt;/i&amp;gt;; Latin: &amp;lt;i&amp;gt;Musa Puerilis&amp;lt;/i&amp;gt; [2nd Century AD]), compiled by [[Straton of Sardis|Strato]], in Book 12 of &amp;lt;i&amp;gt;The Greek Anthology&amp;lt;/i&amp;gt; (Latin: &amp;lt;i&amp;gt;Anthologia Graeca&amp;lt;/i&amp;gt;, 10th–14th Century), Volume 4, translated by W. R. Paton, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 85 &lt;/ins&gt;(London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1918). Footnote omitted.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;The [[Ancient Greece|ancient Greek]] sanctuary of Olympia in Elis was located at the foot of the Kronion (Mount Kronos), mentioned below, meaning that this poem is a prayer for the victory of a young athlete competing in the Olympic Games. [[Adolescence|Adolescent]] boys had their own category of sporting events, with the minimum age for participation being estimated to have been twelve years.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;https://en.wikipedia.org/wiki/Olympia,_Greece&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://en.wikipedia.org/wiki/Ancient_Olympic_Games &amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://ancientolympics.arts.kuleuven.be/eng/TD010EN.html&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;The [[Ancient Greece|ancient Greek]] sanctuary of Olympia in Elis was located at the foot of the Kronion (Mount Kronos), mentioned below, meaning that this poem is a prayer for the victory of a young athlete competing in the Olympic Games. [[Adolescence|Adolescent]] boys had their own category of sporting events, with the minimum age for participation being estimated to have been twelve years.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;https://en.wikipedia.org/wiki/Olympia,_Greece&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://en.wikipedia.org/wiki/Ancient_Olympic_Games &amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://ancientolympics.arts.kuleuven.be/eng/TD010EN.html&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 06:15:04 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Conventional_Pederastic_Ancient_Greek_Lyrical_Motif_of_the_Mythological_Comparison_of_a_Young_Male_Beloved_to_Deities_or_Heroes,_as_Featured_in_a_Poem_by_Alcaeus</comments>
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			<title>(Boylove Documentary Sourcebook) - The Tragic Pederastic Ancient Greek Love Story of the Tyrant Hipparinus II of Syracuse and Achaeus, as Recorded in &#039;Sufferings in Love&#039;, Compiled by Parthenius of Nicaea</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Tragic_Pederastic_Ancient_Greek_Love_Story_of_the_Tyrant_Hipparinus_II_of_Syracuse_and_Achaeus,_as_Recorded_in_%27Sufferings_in_Love%27,_Compiled_by_Parthenius_of_Nicaea&amp;diff=57613&amp;oldid=50087</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Tragic_Pederastic_Ancient_Greek_Love_Story_of_the_Tyrant_Hipparinus_II_of_Syracuse_and_Achaeus,_as_Recorded_in_%27Sufferings_in_Love%27,_Compiled_by_Parthenius_of_Nicaea&amp;diff=57613&amp;oldid=50087</guid>
			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:14, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Sufferings in Love&amp;lt;/i&amp;gt; (Ἐρωτικὰ Παθήματα &amp;lt;i&amp;gt;Erotica Pathemata&amp;lt;/i&amp;gt;, 1st Century BC), compiled by Parthenius of Nicaea, in &amp;lt;i&amp;gt;Hellenistic Collection: Philitas. Alexander of Aetolia. Hermesianax. Euphorion. Parthenius&amp;lt;/i&amp;gt;, translated by J. L. Lightfoot, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (Cambridge, Massachusetts: Harvard University Press, 2010). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Sufferings in Love&amp;lt;/i&amp;gt; (Ἐρωτικὰ Παθήματα &amp;lt;i&amp;gt;Erotica Pathemata&amp;lt;/i&amp;gt;, 1st Century BC), compiled by Parthenius of Nicaea, in &amp;lt;i&amp;gt;Hellenistic Collection: Philitas. Alexander of Aetolia. Hermesianax. Euphorion. Parthenius&amp;lt;/i&amp;gt;, translated by J. L. Lightfoot, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 508 &lt;/ins&gt;(Cambridge, Massachusetts: Harvard University Press, 2010). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;Hipparinus II the Younger was a son of Dionysius I the Elder (c. 432–367 BC), and a tyrant of Syracuse from 352 to 351 BC&amp;lt;/i&amp;gt;.&amp;lt;ref&amp;gt;https://en.wikipedia.org/wiki/Hipparinus&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;Hipparinus II the Younger was a son of Dionysius I the Elder (c. 432–367 BC), and a tyrant of Syracuse from 352 to 351 BC&amp;lt;/i&amp;gt;.&amp;lt;ref&amp;gt;https://en.wikipedia.org/wiki/Hipparinus&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 06:14:59 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Tragic_Pederastic_Ancient_Greek_Love_Story_of_the_Tyrant_Hipparinus_II_of_Syracuse_and_Achaeus,_as_Recorded_in_%27Sufferings_in_Love%27,_Compiled_by_Parthenius_of_Nicaea</comments>
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			<title>(Boylove Documentary Sourcebook) - Youthful Male Thighs and Buttocks as Pederastically Eroticized Body Parts in a Poem by Dioscorides</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_Youthful_Male_Thighs_and_Buttocks_as_Pederastically_Eroticized_Body_Parts_in_a_Poem_by_Dioscorides&amp;diff=57612&amp;oldid=49941</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_Youthful_Male_Thighs_and_Buttocks_as_Pederastically_Eroticized_Body_Parts_in_a_Poem_by_Dioscorides&amp;diff=57612&amp;oldid=49941</guid>
			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:14, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;The Boyish Muse&amp;lt;/i&amp;gt; (Ancient Greek: Μοῦσα Παιδική &amp;lt;i&amp;gt;Mousa Paidike&amp;lt;/i&amp;gt;; Latin: &amp;lt;i&amp;gt;Musa Puerilis&amp;lt;/i&amp;gt; [2nd Century AD]), compiled by [[Straton of Sardis|Strato]], in Book 12 of &amp;lt;i&amp;gt;The Greek Anthology&amp;lt;/i&amp;gt; (Latin: &amp;lt;i&amp;gt;Anthologia Graeca&amp;lt;/i&amp;gt;, 10th–14th Century), Volume 4, translated by W. R. Paton, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1918).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;The Boyish Muse&amp;lt;/i&amp;gt; (Ancient Greek: Μοῦσα Παιδική &amp;lt;i&amp;gt;Mousa Paidike&amp;lt;/i&amp;gt;; Latin: &amp;lt;i&amp;gt;Musa Puerilis&amp;lt;/i&amp;gt; [2nd Century AD]), compiled by [[Straton of Sardis|Strato]], in Book 12 of &amp;lt;i&amp;gt;The Greek Anthology&amp;lt;/i&amp;gt; (Latin: &amp;lt;i&amp;gt;Anthologia Graeca&amp;lt;/i&amp;gt;, 10th–14th Century), Volume 4, translated by W. R. Paton, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 85 &lt;/ins&gt;(London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1918).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 06:14:52 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_Youthful_Male_Thighs_and_Buttocks_as_Pederastically_Eroticized_Body_Parts_in_a_Poem_by_Dioscorides</comments>
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			<title>(Boylove Documentary Sourcebook) - The Origin of the Rivalry between Aristides and Themistocles in Their Pederastic Competition for Stesilaus, a Young Male Beloved, According to Ariston of Ceos, as Stated in &#039;Aristides&#039; by Plutarch</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Origin_of_the_Rivalry_between_Aristides_and_Themistocles_in_Their_Pederastic_Competition_for_Stesilaus,_a_Young_Male_Beloved,_According_to_Ariston_of_Ceos,_as_Stated_in_%27Aristides%27_by_Plutarch&amp;diff=57611&amp;oldid=50027</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Origin_of_the_Rivalry_between_Aristides_and_Themistocles_in_Their_Pederastic_Competition_for_Stesilaus,_a_Young_Male_Beloved,_According_to_Ariston_of_Ceos,_as_Stated_in_%27Aristides%27_by_Plutarch&amp;diff=57611&amp;oldid=50027</guid>
			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:02, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Aristides&amp;lt;/i&amp;gt; (Ancient Greek: Ἀριστείδης &amp;lt;i&amp;gt;Aristeídēs&amp;lt;/i&amp;gt;, Latin: &amp;lt;i&amp;gt;Vita Aristidis&amp;lt;/i&amp;gt;), Chapter 2, in &amp;lt;i&amp;gt;Lives&amp;lt;/i&amp;gt; (Ancient Greek: Βίοι Παράλληλοι &amp;lt;i&amp;gt;Bíoi Parállēloi&amp;lt;/i&amp;gt;; Latin: &amp;lt;i&amp;gt;Vitae Parallelae&amp;lt;/i&amp;gt; [Early 2nd Century AD]), by [[Plutarch]], translated by Bernadotte Perrin, Volume 2, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1914). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Aristides&amp;lt;/i&amp;gt; (Ancient Greek: Ἀριστείδης &amp;lt;i&amp;gt;Aristeídēs&amp;lt;/i&amp;gt;, Latin: &amp;lt;i&amp;gt;Vita Aristidis&amp;lt;/i&amp;gt;), Chapter 2, in &amp;lt;i&amp;gt;Lives&amp;lt;/i&amp;gt; (Ancient Greek: Βίοι Παράλληλοι &amp;lt;i&amp;gt;Bíoi Parállēloi&amp;lt;/i&amp;gt;; Latin: &amp;lt;i&amp;gt;Vitae Parallelae&amp;lt;/i&amp;gt; [Early 2nd Century AD]), by [[Plutarch]], translated by Bernadotte Perrin, Volume 2, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 47 &lt;/ins&gt;(London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1914). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 06:02:56 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Origin_of_the_Rivalry_between_Aristides_and_Themistocles_in_Their_Pederastic_Competition_for_Stesilaus,_a_Young_Male_Beloved,_According_to_Ariston_of_Ceos,_as_Stated_in_%27Aristides%27_by_Plutarch</comments>
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			<title>(Boylove Documentary Sourcebook) - On the Taifali People of Late 4th-Century Romania</title>
			<link>https://www.boywiki.org/en/(Boylove_Documentary_Sourcebook)_-_On_the_Taifali_People_of_Late_4th-Century_Romania</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/(Boylove_Documentary_Sourcebook)_-_On_the_Taifali_People_of_Late_4th-Century_Romania</guid>
			<description>&lt;p&gt;&lt;a href=&quot;/en/User:Dandelion&quot; class=&quot;mw-userlink&quot; title=&quot;User:Dandelion&quot;&gt;&lt;bdi&gt;Dandelion&lt;/bdi&gt;&lt;/a&gt; deleted page &lt;a href=&quot;/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_On_the_Taifali_People_of_Late_4th-Century_Romania&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;(Boylove Documentary Sourcebook) - On the Taifali People of Late 4th-Century Romania (page does not exist)&quot;&gt;(Boylove Documentary Sourcebook) - On the Taifali People of Late 4th-Century Romania&lt;/a&gt; content was: &amp;quot;&lt;a href=&quot;/en/File:Primo_tesoro_di_cosoveni_de_jos,_fibbia,_V_sec.jpg&quot; title=&quot;File:Primo tesoro di cosoveni de jos, fibbia, V sec.jpg&quot;&gt;thumb|center|Buckle from the first hoard of Coşoveni, 5th century, possibly of Taifal origin, from Coşoveni, Oltenia, [[Romania&lt;/a&gt;. Bucharest, Muzeul Naţional de Istorie a României.]]   From &amp;lt;i&amp;gt;History&amp;lt;/i&amp;gt; (&amp;lt;i&amp;gt;Rerum Gestarum Libri XXXI&amp;lt;/i&amp;gt;, c. 391 AD), Book 31, Chapter 9, by Ammianus Marcellinus, translated by...&amp;quot;, and the only contributor was &amp;quot;&lt;a href=&quot;/en/Special:Contributions/Dandelion&quot; title=&quot;Special:Contributions/Dandelion&quot;&gt;Dandelion&lt;/a&gt;&amp;quot; (&lt;a href=&quot;/en/User_talk:Dandelion&quot; title=&quot;User talk:Dandelion&quot;&gt;talk&lt;/a&gt;)&lt;/p&gt;
</description>
			<pubDate>Fri, 16 Oct 2026 05:06:00 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_On_the_Taifali_People_of_Late_4th-Century_Romania</comments>
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			<title>(Boylove Documentary Sourcebook) - On the Taifali People of 4th-Century Romania</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_On_the_Taifali_People_of_4th-Century_Romania&amp;diff=57610&amp;oldid=0</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_On_the_Taifali_People_of_4th-Century_Romania&amp;diff=57610&amp;oldid=0</guid>
			<description>&lt;p&gt;Created page with &amp;quot;&lt;a href=&quot;/en/File:Primo_tesoro_di_cosoveni_de_jos,_fibbia,_V_sec.jpg&quot; title=&quot;File:Primo tesoro di cosoveni de jos, fibbia, V sec.jpg&quot;&gt;thumb|center|Buckle from the first hoard of Coşoveni, 5th century, possibly of Taifal origin, from Coşoveni, Oltenia, [[Romania&lt;/a&gt;. Bucharest, Muzeul Naţional de Istorie a României.]]   From &amp;lt;i&amp;gt;History&amp;lt;/i&amp;gt; (&amp;lt;i&amp;gt;Rerum Gestarum Libri XXXI&amp;lt;/i&amp;gt;, c. 391 AD), Book 31, Chapter 9, by Ammianus Marcellinus, translated by J. C. Rolfe, Volume 3, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;, Volume 331 (Cambridge, Massachusetts: Harvard Un...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File:Primo tesoro di cosoveni de jos, fibbia, V sec.jpg|thumb|center|Buckle from the first hoard of Coşoveni, 5th century, possibly of Taifal origin, from Coşoveni, Oltenia, [[Romania]]. Bucharest, Muzeul Naţional de Istorie a României.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
From &amp;lt;i&amp;gt;History&amp;lt;/i&amp;gt; (&amp;lt;i&amp;gt;Rerum Gestarum Libri XXXI&amp;lt;/i&amp;gt;, c. 391 AD), Book 31, Chapter 9, by Ammianus Marcellinus, translated by J. C. Rolfe, Volume 3, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;, Volume 331 (Cambridge, Massachusetts: Harvard University Press, 1939).&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;br /&gt;
We have learned that these Taifali were a shameful folk, so sunken in a life of shame and obscenity, that in their country the boys are coupled with the men in [[Pederasty|a union of unmentionable lust]], to consume the flower of their youth in the polluted intercourse of those paramours. We may add that, if any grown person alone catches a boar or kills a huge bear, he is purified thereby from the shame of unchastity.&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[File:Sarmatian riders depicted on Trajan&amp;#039;s Column.jpg|thumb|center|Sarmatian riders depicted on Trajan&amp;#039;s Column. Detail from the relief band with scenes from Trajan&amp;#039;s Dacian campaigns. [[Ancient Rome|Roman]], 113 AD. Plaster cast made in 1861 after the marble original. Rome, Museo della Civiltà Romana, No. 3044.]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Boylove Documentary Sourcebook]]&lt;br /&gt;
[[Category:Romania]]&lt;br /&gt;
[[Category:Ethnic groups]]&lt;br /&gt;
[[Category:Ancient Rome]]&lt;br /&gt;
[[Category:Historical literature]]&lt;br /&gt;
[[Category:Sexuality]]&lt;/div&gt;</description>
			<pubDate>Fri, 16 Oct 2026 05:05:56 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_On_the_Taifali_People_of_4th-Century_Romania</comments>
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			<title>(Boylove Documentary Sourcebook) - &quot;To Priapus&quot; by Tibullus, c. 26 BC (full-text poem)</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_%22To_Priapus%22_by_Tibullus,_c._26_BC_(full-text_poem)&amp;diff=57609&amp;oldid=50655</link>
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			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:41, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Elegies&amp;lt;/i&amp;gt; (&amp;lt;i&amp;gt;Elegiae&amp;lt;/i&amp;gt;, c. 26–19 BC), Book 1, by Tibullus, in &amp;lt;i&amp;gt;Catullus. Tibullus. Pervigilium Veneris&amp;lt;/i&amp;gt;, translated by F. W. Cornish, J. P. Postgate and J. W. Mackail, Second Edition, revised by G. P. Goold, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1988). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Elegies&amp;lt;/i&amp;gt; (&amp;lt;i&amp;gt;Elegiae&amp;lt;/i&amp;gt;, c. 26–19 BC), Book 1, by Tibullus, in &amp;lt;i&amp;gt;Catullus. Tibullus. Pervigilium Veneris&amp;lt;/i&amp;gt;, translated by F. W. Cornish, J. P. Postgate and J. W. Mackail, Second Edition, revised by G. P. Goold, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 6 &lt;/ins&gt;(London: William Heinemann; Cambridge, Massachusetts: Harvard University Press, 1988). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 01:41:30 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_%22To_Priapus%22_by_Tibullus,_c._26_BC_(full-text_poem)</comments>
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			<title>(Boylove Documentary Sourcebook) - A List of Some Handsome Beardless Youths of Early 12th-Century Al-Andalus in a Poem by Ibn Quzmān</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_A_List_of_Some_Handsome_Beardless_Youths_of_Early_12th-Century_Al-Andalus_in_a_Poem_by_Ibn_Quzm%C4%81n&amp;diff=57608&amp;oldid=49944</link>
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			<description>&lt;p&gt;Added information to the reference of the excerpt, as well as to that of the note before the latter&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:41, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;The Mischievous Muse: Extant Poetry and Prose by Ibn Quzmān of Córdoba (d. AH 555/AD 1160)&amp;lt;/i&amp;gt;, Volume 1, edition, translation, and notes, along with an analysis of selected poems by James T. Monroe, &amp;lt;i&amp;gt;Brill Studies in Middle Eastern Literatures&amp;lt;/i&amp;gt; (Leiden, Netherlands: Brill, 2016). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;The Mischievous Muse: Extant Poetry and Prose by Ibn Quzmān of Córdoba (d. AH 555/AD 1160)&amp;lt;/i&amp;gt;, Volume 1, edition, translation, and notes, along with an analysis of selected poems by James T. Monroe, &amp;lt;i&amp;gt;Brill Studies in Middle Eastern Literatures&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 39 &lt;/ins&gt;(Leiden, Netherlands: Brill, 2016). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;The &amp;lt;/i&amp;gt;zajal&amp;lt;i&amp;gt; below comes from the &amp;lt;/i&amp;gt;Dīwān&amp;lt;i&amp;gt; (Early 12th Century) by Abū Bakr ʿAbd al-Malik ibn Quzmān, which is dedicated to his patron, the &amp;lt;/i&amp;gt;amīn&amp;lt;i&amp;gt; (&quot;Market Inspector of Weight and Measures&quot;) Abū Iṣhāq Ibrāhīm ibn Aḥmad al-Waškī.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;James T. Monroe, ed. and trans., &amp;lt;i&amp;gt;The Mischievous Muse: Extant Poetry and Prose by Ibn Quzmān of Córdoba (d. AH 555/AD 1160)&amp;lt;/i&amp;gt;, Volume 1, &amp;lt;i&amp;gt;Brill Studies in Middle Eastern Literatures&amp;lt;/i&amp;gt; (Leiden, Netherlands: Brill, 2016), p. 24.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;The &amp;lt;/i&amp;gt;zajal&amp;lt;i&amp;gt; below comes from the &amp;lt;/i&amp;gt;Dīwān&amp;lt;i&amp;gt; (Early 12th Century) by Abū Bakr ʿAbd al-Malik ibn Quzmān, which is dedicated to his patron, the &amp;lt;/i&amp;gt;amīn&amp;lt;i&amp;gt; (&quot;Market Inspector of Weight and Measures&quot;) Abū Iṣhāq Ibrāhīm ibn Aḥmad al-Waškī.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;James T. Monroe, ed. and trans., &amp;lt;i&amp;gt;The Mischievous Muse: Extant Poetry and Prose by Ibn Quzmān of Córdoba (d. AH 555/AD 1160)&amp;lt;/i&amp;gt;, Volume 1, &amp;lt;i&amp;gt;Brill Studies in Middle Eastern Literatures&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 39 &lt;/ins&gt;(Leiden, Netherlands: Brill, 2016), p. 24.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 01:41:23 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_A_List_of_Some_Handsome_Beardless_Youths_of_Early_12th-Century_Al-Andalus_in_a_Poem_by_Ibn_Quzm%C4%81n</comments>
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			<title>(Boylove Documentary Sourcebook) - A Defense of the Biographical Reputation of İshak Çelebi through His Portrayal as a Chaste Pederast in an Anecdote from &#039;The Essence of History&#039; by Gelibolulu Mustafa &#039;Âlî</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_A_Defense_of_the_Biographical_Reputation_of_%C4%B0shak_%C3%87elebi_through_His_Portrayal_as_a_Chaste_Pederast_in_an_Anecdote_from_%27The_Essence_of_History%27_by_Gelibolulu_Mustafa_%27%C3%82l%C3%AE&amp;diff=57607&amp;oldid=52614</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_A_Defense_of_the_Biographical_Reputation_of_%C4%B0shak_%C3%87elebi_through_His_Portrayal_as_a_Chaste_Pederast_in_an_Anecdote_from_%27The_Essence_of_History%27_by_Gelibolulu_Mustafa_%27%C3%82l%C3%AE&amp;diff=57607&amp;oldid=52614</guid>
			<description>&lt;p&gt;Added information to the reference of the excerpt, as well as to that of the note before the latter&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:41, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &quot;Naming the Beloved in Ottoman Turkish Gazel: The Case of İshak Çelebi (D. 1537/8)&quot; by Selim S. Kuru, in &amp;lt;i&amp;gt;Ghazal as World Literature II: From a Literary Genre to a Great Tradition. The Ottoman Gazel in Context&amp;lt;/i&amp;gt;, edited by Angelika Neuwirth, Michael Hess, Judith Pfeiffer and Börte Sagaster, &amp;lt;i&amp;gt;Istanbuler Texte und Studien&amp;lt;/i&amp;gt; (Istanbul: Orient-Institut Istanbul; Würzburg, Germany: Ergon Verlag, 2006). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &quot;Naming the Beloved in Ottoman Turkish Gazel: The Case of İshak Çelebi (D. 1537/8)&quot; by Selim S. Kuru, in &amp;lt;i&amp;gt;Ghazal as World Literature II: From a Literary Genre to a Great Tradition. The Ottoman Gazel in Context&amp;lt;/i&amp;gt;, edited by Angelika Neuwirth, Michael Hess, Judith Pfeiffer and Börte Sagaster, &amp;lt;i&amp;gt;Istanbuler Texte und Studien&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 4 &lt;/ins&gt;(Istanbul: Orient-Institut Istanbul; Würzburg, Germany: Ergon Verlag, 2006). Footnotes omitted.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;The anecdote quoted by Kuru in the excerpt below appears in &amp;lt;/i&amp;gt;The Essence of History&amp;lt;i&amp;gt; (كنه الأخبار &amp;lt;/i&amp;gt;Künhü&#039;l-aḫbār&amp;lt;i&amp;gt;, c. 1591–1599), an Ottoman Turkish historiographical work composed by Gelibolulu Mustafa Âlî bin Ahmed bin Abdülmevlâ Çelebi.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;Selim S. Kuru, &quot;Naming the Beloved in Ottoman Turkish Gazel: The Case of İshak Çelebi (D. 1537/8)&quot;; Angelika Neuwirth, Michael Hess, Judith Pfeiffer and Börte Sagaster, eds., &amp;lt;i&amp;gt;Ghazal as World Literature II: From a Literary Genre to a Great Tradition. The Ottoman Gazel in Context&amp;lt;/i&amp;gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;part &lt;/del&gt;of the &amp;lt;i&amp;gt;Istanbuler Texte und Studien&amp;lt;/i&amp;gt; series (Istanbul: Orient-Institut Istanbul; Würzburg, Germany: Ergon Verlag, 2006), p. 172.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt; https://en.wikipedia.org/wiki/Mustafa_Ali_(historian)&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;The anecdote quoted by Kuru in the excerpt below appears in &amp;lt;/i&amp;gt;The Essence of History&amp;lt;i&amp;gt; (كنه الأخبار &amp;lt;/i&amp;gt;Künhü&#039;l-aḫbār&amp;lt;i&amp;gt;, c. 1591–1599), an Ottoman Turkish historiographical work composed by Gelibolulu Mustafa Âlî bin Ahmed bin Abdülmevlâ Çelebi.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;Selim S. Kuru, &quot;Naming the Beloved in Ottoman Turkish Gazel: The Case of İshak Çelebi (D. 1537/8)&quot;; Angelika Neuwirth, Michael Hess, Judith Pfeiffer and Börte Sagaster, eds., &amp;lt;i&amp;gt;Ghazal as World Literature II: From a Literary Genre to a Great Tradition. The Ottoman Gazel in Context&amp;lt;/i&amp;gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Volume 4 &lt;/ins&gt;of the &amp;lt;i&amp;gt;Istanbuler Texte und Studien&amp;lt;/i&amp;gt; series (Istanbul: Orient-Institut Istanbul; Würzburg, Germany: Ergon Verlag, 2006), p. 172.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt; https://en.wikipedia.org/wiki/Mustafa_Ali_(historian)&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 01:41:16 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_A_Defense_of_the_Biographical_Reputation_of_%C4%B0shak_%C3%87elebi_through_His_Portrayal_as_a_Chaste_Pederast_in_an_Anecdote_from_%27The_Essence_of_History%27_by_Gelibolulu_Mustafa_%27%C3%82l%C3%AE</comments>
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			<title>(Boylove Documentary Sourcebook) - A Combination of Pederastic and Heteroerotic Contents in the Ancient Greek Myth of Heracles, Hylas and the Nymphs, as Depicted in a Poem by Theocritus</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_A_Combination_of_Pederastic_and_Heteroerotic_Contents_in_the_Ancient_Greek_Myth_of_Heracles,_Hylas_and_the_Nymphs,_as_Depicted_in_a_Poem_by_Theocritus&amp;diff=57606&amp;oldid=49777</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_A_Combination_of_Pederastic_and_Heteroerotic_Contents_in_the_Ancient_Greek_Myth_of_Heracles,_Hylas_and_the_Nymphs,_as_Depicted_in_a_Poem_by_Theocritus&amp;diff=57606&amp;oldid=49777</guid>
			<description>&lt;p&gt;Added information to the reference of the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:41, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Idylls&amp;lt;/i&amp;gt; (Ancient Greek: Εἰδύλλια &amp;lt;i&amp;gt;Eidullia&amp;lt;/i&amp;gt;, c. 270 BC) by Theocritus, in &amp;lt;i&amp;gt;Theocritus. Moschus. Bion&amp;lt;/i&amp;gt;, translated by Neil Hopkinson, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt; (Cambridge, Massachusetts: Harvard University Press, 2015). Footnotes omitted.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Idylls&amp;lt;/i&amp;gt; (Ancient Greek: Εἰδύλλια &amp;lt;i&amp;gt;Eidullia&amp;lt;/i&amp;gt;, c. 270 BC) by Theocritus, in &amp;lt;i&amp;gt;Theocritus. Moschus. Bion&amp;lt;/i&amp;gt;, translated by Neil Hopkinson, &amp;lt;i&amp;gt;Loeb Classical Library&amp;lt;/i&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Volume 28 &lt;/ins&gt;(Cambridge, Massachusetts: Harvard University Press, 2015). Footnotes omitted.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 01:41:12 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_A_Combination_of_Pederastic_and_Heteroerotic_Contents_in_the_Ancient_Greek_Myth_of_Heracles,_Hylas_and_the_Nymphs,_as_Depicted_in_a_Poem_by_Theocritus</comments>
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			<title>(Boylove Documentary Sourcebook) - A British Travel Account Regarding the Chaste Pederastic Relationships of Ismael, an Afghan Dervish Residing in Early 19th-Century Baghdad</title>
			<link>https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_A_British_Travel_Account_Regarding_the_Chaste_Pederastic_Relationships_of_Ismael,_an_Afghan_Dervish_Residing_in_Early_19th-Century_Baghdad&amp;diff=57605&amp;oldid=51186</link>
			<guid isPermaLink="false">https://www.boywiki.org/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_A_British_Travel_Account_Regarding_the_Chaste_Pederastic_Relationships_of_Ismael,_an_Afghan_Dervish_Residing_in_Early_19th-Century_Baghdad&amp;diff=57605&amp;oldid=51186</guid>
			<description>&lt;p&gt;Modified the note before the excerpt&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:41, 16 October 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Travels in Assyria, Media, and [[Persian Empire|Persia]]&amp;lt;/i&amp;gt;, Second Edition, Volume 1, by James Silk Buckingham (London: Henry Colburn and Richard Bentley, 1830). First edition published in [[United Kingdom|England]] in 1829.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From &amp;lt;i&amp;gt;Travels in Assyria, Media, and [[Persian Empire|Persia]]&amp;lt;/i&amp;gt;, Second Edition, Volume 1, by James Silk Buckingham (London: Henry Colburn and Richard Bentley, 1830). First edition published in [[United Kingdom|England]] in 1829.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;Buckingham&#039;s hired guide for the journey &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in &lt;/del&gt;which the excerpt below takes place, a dervish and stone engraver of Afghan origin named Hadjee Ismael, was described as being twenty-five years old, handsome and bearded, with an &quot;Indian brown complexion&quot; and &quot;large black eyes&quot;.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;James Silk Buckingham, &amp;lt;i&amp;gt;Travels in Assyria, Media, and Persia&amp;lt;/i&amp;gt;, 2nd Edition, Vol. 1, (London: Henry Colburn and Richard Bentley, 1830), p. 116.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;b&amp;gt;Note:&amp;lt;/b&amp;gt; &amp;lt;i&amp;gt;Buckingham&#039;s hired guide for the journey &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;during &lt;/ins&gt;which &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the narrative of &lt;/ins&gt;the excerpt below takes place, a dervish and stone engraver of Afghan origin named Hadjee Ismael, was described as being twenty-five years old, handsome and bearded, with an &quot;Indian brown complexion&quot; and &quot;large black eyes&quot;.&amp;lt;/i&amp;gt;&amp;lt;ref&amp;gt;James Silk Buckingham, &amp;lt;i&amp;gt;Travels in Assyria, Media, and Persia&amp;lt;/i&amp;gt;, 2nd Edition, Vol. 1, (London: Henry Colburn and Richard Bentley, 1830), p. 116.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;margin:.5em auto; width:95%; min-height:5em; background-color:#F5FAFF; border:3px solid #c9c9ff; padding:1em;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 16 Oct 2026 01:41:05 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_A_British_Travel_Account_Regarding_the_Chaste_Pederastic_Relationships_of_Ismael,_an_Afghan_Dervish_Residing_in_Early_19th-Century_Baghdad</comments>
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			<title>(Boylove Documentary Sourcebook) - The Medieval Persian Sufi Ritual Practice of &quot;Shāhid-Bāzī&quot;, the Mystical Contemplation of Handsome Beardless Youths, as Featured in a Short Story from the &#039;Abode of Spring&#039; by Jāmi of Herāt</title>
			<link>https://www.boywiki.org/en/(Boylove_Documentary_Sourcebook)_-_The_Medieval_Persian_Sufi_Ritual_Practice_of_%22Sh%C4%81hid-B%C4%81z%C4%AB%22,_the_Mystical_Contemplation_of_Handsome_Beardless_Youths,_as_Featured_in_a_Short_Story_from_the_%27Abode_of_Spring%27_by_J%C4%81mi_of_Her%C4%81t</link>
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			<description>&lt;p&gt;&lt;a href=&quot;/en/User:Dandelion&quot; class=&quot;mw-userlink&quot; title=&quot;User:Dandelion&quot;&gt;&lt;bdi&gt;Dandelion&lt;/bdi&gt;&lt;/a&gt; deleted page &lt;a href=&quot;/en/index.php?title=(Boylove_Documentary_Sourcebook)_-_The_Medieval_Persian_Sufi_Ritual_Practice_of_%22Sh%C4%81hid-B%C4%81z%C4%AB%22,_the_Mystical_Contemplation_of_Handsome_Beardless_Youths,_as_Featured_in_a_Short_Story_from_the_%27Abode_of_Spring%27_by_J%C4%81mi_of_Her%C4%81t&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;(Boylove Documentary Sourcebook) - The Medieval Persian Sufi Ritual Practice of &amp;quot;Shāhid-Bāzī&amp;quot;, the Mystical Contemplation of Handsome Beardless Youths, as Featured in a Short Story from the &amp;#039;Abode of Spring&amp;#039; by Jāmi of Herāt (page does not exist)&quot;&gt;(Boylove Documentary Sourcebook) - The Medieval Persian Sufi Ritual Practice of &amp;quot;Shāhid-Bāzī&amp;quot;, the Mystical Contemplation of Handsome Beardless Youths, as Featured in a Short Story from the &amp;#039;Abode of Spring&amp;#039; by Jāmi of Herāt&lt;/a&gt; content was: &amp;quot;&lt;a href=&quot;/en/Category:Articles_proposed_for_deletion&quot; title=&quot;Category:Articles proposed for deletion&quot;&gt;Category:Articles proposed for deletion&lt;/a&gt;&amp;quot;, and the only contributor was &amp;quot;&lt;a href=&quot;/en/Special:Contributions/Dandelion&quot; title=&quot;Special:Contributions/Dandelion&quot;&gt;Dandelion&lt;/a&gt;&amp;quot; (&lt;a href=&quot;/en/User_talk:Dandelion&quot; title=&quot;User talk:Dandelion&quot;&gt;talk&lt;/a&gt;)&lt;/p&gt;
</description>
			<pubDate>Fri, 16 Oct 2026 00:55:39 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Medieval_Persian_Sufi_Ritual_Practice_of_%22Sh%C4%81hid-B%C4%81z%C4%AB%22,_the_Mystical_Contemplation_of_Handsome_Beardless_Youths,_as_Featured_in_a_Short_Story_from_the_%27Abode_of_Spring%27_by_J%C4%81mi_of_Her%C4%81t</comments>
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			<title>(Boylove Documentary Sourcebook) - The Medieval Persian Sufi Ritual Practice of &quot;Shāhid-Bāzī&quot;, the Mystical Contemplation of Handsome Beardless Youths, as Featured in a Short Story from the &#039;Abode of Spring&#039; by Jāmi of Herāt</title>
			<link>https://www.boywiki.org/en/(Boylove_Documentary_Sourcebook)_-_The_Medieval_Persian_Sufi_Ritual_Practice_of_%22Sh%C4%81hid-B%C4%81z%C4%AB%22,_the_Mystical_Contemplation_of_Handsome_Beardless_Youths,_as_Featured_in_a_Short_Story_from_the_%27Abode_of_Spring%27_by_J%C4%81mi_of_Her%C4%81t</link>
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</description>
			<pubDate>Fri, 16 Oct 2026 00:55:25 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Medieval_Persian_Sufi_Ritual_Practice_of_%22Sh%C4%81hid-B%C4%81z%C4%AB%22,_the_Mystical_Contemplation_of_Handsome_Beardless_Youths,_as_Featured_in_a_Short_Story_from_the_%27Abode_of_Spring%27_by_J%C4%81mi_of_Her%C4%81t</comments>
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			<title>(Boylove Documentary Sourcebook) - The Medieval Persian Sufi Ritual Practice of &quot;Shāhid-Bāzī&quot;, the Mystical Contemplation of Handsome Beardless Youths, as Featured in a Short Story from the &#039;Abode of Spring&#039; by Jāmi of Herāt</title>
			<link>https://www.boywiki.org/en/(Boylove_Documentary_Sourcebook)_-_The_Medieval_Persian_Sufi_Ritual_Practice_of_%22Sh%C4%81hid-B%C4%81z%C4%AB%22,_the_Mystical_Contemplation_of_Handsome_Beardless_Youths,_as_Featured_in_a_Short_Story_from_the_%27Abode_of_Spring%27_by_J%C4%81mi_of_Her%C4%81t</link>
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			<pubDate>Fri, 16 Oct 2026 00:55:11 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Medieval_Persian_Sufi_Ritual_Practice_of_%22Sh%C4%81hid-B%C4%81z%C4%AB%22,_the_Mystical_Contemplation_of_Handsome_Beardless_Youths,_as_Featured_in_a_Short_Story_from_the_%27Abode_of_Spring%27_by_J%C4%81mi_of_Her%C4%81t</comments>
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			<title>(Boylove Documentary Sourcebook) - The Medieval Persian Sufi Ritual Practice of &quot;Shāhid-Bāzī&quot;, the Mystical Contemplation of Handsome Beardless Youths, as Featured in a Short Story from &#039;The Abode of Spring&#039; by Jāmi of Herāt</title>
			<link>https://www.boywiki.org/en/(Boylove_Documentary_Sourcebook)_-_The_Medieval_Persian_Sufi_Ritual_Practice_of_%22Sh%C4%81hid-B%C4%81z%C4%AB%22,_the_Mystical_Contemplation_of_Handsome_Beardless_Youths,_as_Featured_in_a_Short_Story_from_%27The_Abode_of_Spring%27_by_J%C4%81mi_of_Her%C4%81t</link>
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			<pubDate>Fri, 16 Oct 2026 00:54:47 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Medieval_Persian_Sufi_Ritual_Practice_of_%22Sh%C4%81hid-B%C4%81z%C4%AB%22,_the_Mystical_Contemplation_of_Handsome_Beardless_Youths,_as_Featured_in_a_Short_Story_from_%27The_Abode_of_Spring%27_by_J%C4%81mi_of_Her%C4%81t</comments>
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			<title>(Boylove Documentary Sourcebook) - The Medieval Persian Sufi Ritual Practice of &quot;Shāhid-Bāzī&quot;, the Mystical Contemplation of Handsome Beardless Youths, as Featured in a Short Story from &#039;The Abode of Spring&#039; by Jāmi of Herāt</title>
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			<pubDate>Fri, 16 Oct 2026 00:53:58 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Medieval_Persian_Sufi_Ritual_Practice_of_%22Sh%C4%81hid-B%C4%81z%C4%AB%22,_the_Mystical_Contemplation_of_Handsome_Beardless_Youths,_as_Featured_in_a_Short_Story_from_%27The_Abode_of_Spring%27_by_J%C4%81mi_of_Her%C4%81t</comments>
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			<title>(Boylove Documentary Sourcebook) - The Medieval Persian Sufi Ritual Practice of &quot;Shāhid-Bāzī&quot;, the Mystical Contemplation of Handsome Beardless Youths, as Featured in a Short Story from &#039;The Abode of Spring&#039; by Jāmi of Herāt</title>
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			<pubDate>Fri, 16 Oct 2026 00:53:35 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Medieval_Persian_Sufi_Ritual_Practice_of_%22Sh%C4%81hid-B%C4%81z%C4%AB%22,_the_Mystical_Contemplation_of_Handsome_Beardless_Youths,_as_Featured_in_a_Short_Story_from_%27The_Abode_of_Spring%27_by_J%C4%81mi_of_Her%C4%81t</comments>
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			<title>(Boylove Documentary Sourcebook) - The First Gay Sexual Experience of Gad Beck</title>
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			<pubDate>Thu, 15 Oct 2026 20:17:48 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_First_Gay_Sexual_Experience_of_Gad_Beck</comments>
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			<title>(Boylove Documentary Sourcebook) - The First Gay Sexual Experience of Kirk Read</title>
			<link>https://www.boywiki.org/en/(Boylove_Documentary_Sourcebook)_-_The_First_Gay_Sexual_Experience_of_Kirk_Read</link>
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			<pubDate>Thu, 15 Oct 2026 20:17:45 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_First_Gay_Sexual_Experience_of_Kirk_Read</comments>
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			<title>(Boylove Documentary Sourcebook) - The First Gay Experience of Gad Beck</title>
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			<pubDate>Thu, 15 Oct 2026 20:17:39 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_First_Gay_Experience_of_Gad_Beck</comments>
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			<title>(Boylove Documentary Sourcebook) - The First Gay Experience of Kirk Read</title>
			<link>https://www.boywiki.org/en/(Boylove_Documentary_Sourcebook)_-_The_First_Gay_Experience_of_Kirk_Read</link>
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			<pubDate>Thu, 15 Oct 2026 20:17:32 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_First_Gay_Experience_of_Kirk_Read</comments>
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			<title>(Boylove Documentary Sourcebook) - The Sexual Initiation of Kirk Read</title>
			<link>https://www.boywiki.org/en/(Boylove_Documentary_Sourcebook)_-_The_Sexual_Initiation_of_Kirk_Read</link>
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			<pubDate>Thu, 15 Oct 2026 20:12:19 GMT</pubDate>
			<dc:creator>Dandelion</dc:creator>
			<comments>https://www.boywiki.org/en/Talk:(Boylove_Documentary_Sourcebook)_-_The_Sexual_Initiation_of_Kirk_Read</comments>
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