Gaston Goor - Revision history

Dandelion: Modified one of the categories of the page

2019-01-21T18:03:36Z

Modified one of the categories of the page

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	*[[:Category:Art]]		*[[:Category:Art]]
	[[fr:Gaston Goor]]		[[fr:Gaston Goor]]
	[[Category: ~~Twentieth~~ century boylovers\|Goor, Gaston]]		[[Category: 20th-century boylovers\|Goor, Gaston]]
	[[Category:Art\|Goor, Gaston]]		[[Category:Art\|Goor, Gaston]]
	[[Category:Artists\|Goor, Gaston]]		[[Category:Artists\|Goor, Gaston]]
	[[ Category:1902 births\|Goor, Gaston]]		[[ Category:1902 births\|Goor, Gaston]]

Etenne: /* See also */

2015-08-07T13:31:02Z

Etenne at 20:14, 21 April 2015

2015-04-21T20:14:42Z

← Older revision		Revision as of 20:14, 21 April 2015
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	*[[:Category:Art]]		*[[:Category:Art]]
	[[fr:Gaston Goor]]		[[fr:Gaston Goor]]
	[[Category:~~People~~\|Goor, Gaston]]		[[Category: Twentieth century boylovers\|Goor, Gaston]]
	[[Category:Art\|Goor, Gaston]]		[[Category:Art\|Goor, Gaston]]
	[[ Category:1902 births\|Goor, Gaston]]		[[ Category:1902 births\|Goor, Gaston]]

Etenne at 13:55, 31 July 2014

2014-07-31T13:55:24Z

← Older revision		Revision as of 13:55, 31 July 2014
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	'''Gaston Goor''' ([[1902]]-[[1977]]) was a highly accomplished and controversial painter of boys. His principal patron for more than 30 years was [[Roger Peyrefitte]]. Goor illustrated many of Peyrefitte books and also made a number of works on various themes, many of which decorated the walls of Peyrefitte's Paris apartment. Goor's illustrations have also appeared in [[Henry de Montherlant\|Montherlant's]] ''Diarium Juvenale''.		'''Gaston Goor''' ([[1902]]-[[1977]]) was a highly accomplished and controversial painter of boys. His principal patron for more than 30 years was [[Roger Peyrefitte]]. Goor illustrated many of Peyrefitte books and also made a number of works on various themes, many of which decorated the walls of Peyrefitte's Paris apartment. Goor's illustrations have also appeared in [[Henry de Montherlant\|Montherlant's]] ''Diarium Juvenale''.
	{{Mediaboywiki\|Category:Gaston_Goor}}		{{Mediaboywiki\|Category:Gaston_Goor}}
			{{clr}}

	* [https://fr.boywiki.org/wiki/Gaston_Goor https://fr.boywiki.org/wiki/Gaston_Goor]


	<center>[https://fr.boywiki.org/wiki/Gaston_Goor_%28galerie%29 → Galerie des œuvres garçonnières de Gaston Goor]		<center>
			[https://fr.boywiki.org/wiki/Gaston_Goor → Gaston_Goor (French)]

			[https://fr.boywiki.org/wiki/Gaston_Goor_%28galerie%29 → Galerie des œuvres garçonnières de Gaston Goor]

	[[Gaston Goor (Les amitiés particulières)\|→ Galerie des illustrations de Goor pour ''Les amitiés particulières'']]		[[Gaston Goor (Les amitiés particulières)\|→ Galerie des illustrations de Goor pour ''Les amitiés particulières'']]
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	==A few works==		==A few works==
	[[Image:GOOR_Gaston_1968_L'oracle_-_14_Adolescent_retirant_son_short_1167x1975.jpg\|~~300px~~\|thumb\|right\|''Adolescent retirant son short'', 1968 <br>Pastel, 16,8 × 9,9 cm (ill. pour ''L’oracle'' de [[Roger Peyrefitte]]) <br>Coll. privée]]		[[Image:GOOR_Gaston_1968_L'oracle_-_14_Adolescent_retirant_son_short_1167x1975.jpg\|250px\|thumb\|right\|''Adolescent retirant son short'', 1968 <br>Pastel, 16,8 × 9,9 cm (ill. pour ''L’oracle'' de [[Roger Peyrefitte]]) <br>Coll. privée]]

	Most of the easily accessible Gaston Goor production consists of works of illustrations for l’édition. His paintings are almost all in private collections.		Most of the easily accessible Gaston Goor production consists of works of illustrations for l’édition. His paintings are almost all in private collections.
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	* 32 illustrations in the book my Renaud Icard Mon Page - Editions fifths-leaves, 2009-(ISBN 978-2953288513)		* 32 illustrations in the book my Renaud Icard Mon Page - Editions fifths-leaves, 2009-(ISBN 978-2953288513)
	~~{{Innerwiki\|fr}}~~		==See also==
			*[[:Category:Art]]
	[[fr:Gaston Goor]]		[[fr:Gaston Goor]]
	[[Category:People\|Goor, Gaston]]		[[Category:People\|Goor, Gaston]]
	[[Category:Art\|Goor, Gaston]]		[[Category:Art\|Goor, Gaston]]
	[[ Category:1902 births\|Goor, Gaston]]		[[ Category:1902 births\|Goor, Gaston]]

Etenne at 13:45, 31 July 2014

2014-07-31T13:45:57Z

← Older revision		Revision as of 13:45, 31 July 2014
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	'''Gaston Goor''' ([[1902]]-[[1977]]) was a highly accomplished and controversial painter of boys. His principal patron for more than 30 years was [[Roger Peyrefitte]]. Goor illustrated many of Peyrefitte books and also made a number of works on various themes, many of which decorated the walls of Peyrefitte's Paris apartment. Goor's illustrations have also appeared in [[Henry de Montherlant\|Montherlant's]] ''Diarium Juvenale''.		'''Gaston Goor''' ([[1902]]-[[1977]]) was a highly accomplished and controversial painter of boys. His principal patron for more than 30 years was [[Roger Peyrefitte]]. Goor illustrated many of Peyrefitte books and also made a number of works on various themes, many of which decorated the walls of Peyrefitte's Paris apartment. Goor's illustrations have also appeared in [[Henry de Montherlant\|Montherlant's]] ''Diarium Juvenale''.
			{{Mediaboywiki\|Category:Gaston_Goor}}

	~~{{Innerwiki\|fr}}~~
	* [https://fr.boywiki.org/wiki/Gaston_Goor https://fr.boywiki.org/wiki/Gaston_Goor]		* [https://fr.boywiki.org/wiki/Gaston_Goor https://fr.boywiki.org/wiki/Gaston_Goor]

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	According to his own statements, it was a walk through Versailles that brings him back to the classical and away from the more theoretical advances in the field of art. It was through the André Salmon, he met André Gide who guides him towards the profession of Illustrator. Goor becomes almost the official illustrator of the Editions of Capitole, who publish André Gide, Léon Daudet (the journey of Shakespeare), Charles Maurras (three from tales of the Paradise Road), François Mauriac (God and Mammon, three great men before God), Pierre Mac Orlan. Léon Daudet (Le voyage de Shakespeare), Charles Maurras (Trois contes tirés du Chemin de Paradis), François Mauriac (Dieu et Mammon, Trois grands hommes devant Dieu), Pierre Mac Orlan. He was also the occasional illustrator of the Horizons de France editions, editions À l’Enseigne du Pot Cassé (he illustrated La religieuse de Diderot et L’ingénu de Voltaire) and Trianon (Restif de La Bretonne) editions.		According to his own statements, it was a walk through Versailles that brings him back to the classical and away from the more theoretical advances in the field of art. It was through the André Salmon, he met André Gide who guides him towards the profession of Illustrator. Goor becomes almost the official illustrator of the Editions of Capitole, who publish André Gide, Léon Daudet (the journey of Shakespeare), Charles Maurras (three from tales of the Paradise Road), François Mauriac (God and Mammon, three great men before God), Pierre Mac Orlan. Léon Daudet (Le voyage de Shakespeare), Charles Maurras (Trois contes tirés du Chemin de Paradis), François Mauriac (Dieu et Mammon, Trois grands hommes devant Dieu), Pierre Mac Orlan. He was also the occasional illustrator of the Horizons de France editions, editions À l’Enseigne du Pot Cassé (he illustrated La religieuse de Diderot et L’ingénu de Voltaire) and Trianon (Restif de La Bretonne) editions.


	He worked for the colonial exposition of 1929, and then created different work of Interior decoration for individuals. The paintings he paints, on the other hand, do not meet the desired success. He then embarks on a long study trip to Morocco and returned rather briefly to work for the Department of fine arts in 1933, and then moved to Hyères, where his family settled.[[Image:GOOR_Gaston_1936_Portrait_de_Nino_2115x2227.jpg\|300px\|thumb\|right\|''Portrait de Nino'', 1936 <br>Dessin au crayon rehaussé de couleur, 19 × 18 cm <br>(frontispice pour ''Mon page'' de Renaud Icard)]]		He worked for the colonial exposition of 1929, and then created different work of Interior decoration for individuals. The paintings he paints, on the other hand, do not meet the desired success. He then embarks on a long study trip to Morocco and returned rather briefly to work for the Department of fine arts in 1933, and then moved to Hyères, where his family settled.[[Image:GOOR_Gaston_1936_Portrait_de_Nino_2115x2227.jpg\|300px\|thumb\|right\|''Portrait de Nino'', 1936 <br>Dessin au crayon rehaussé de couleur, 19 × 18 cm <br>(frontispice pour ''Mon page'' de Renaud Icard)]]
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	* 32 illustrations in the book my Renaud Icard Mon Page - Editions fifths-leaves, 2009-(ISBN 978-2953288513)		* 32 illustrations in the book my Renaud Icard Mon Page - Editions fifths-leaves, 2009-(ISBN 978-2953288513)
			{{Innerwiki\|fr}}
	[[fr:Gaston Goor]]		[[fr:Gaston Goor]]
	[[Category:People\|Goor, Gaston]]		[[Category:People\|Goor, Gaston]]
	[[Category:Art\|Goor, Gaston]]		[[Category:Art\|Goor, Gaston]]
	[[ Category:1902 births\|Goor, Gaston]]		[[ Category:1902 births\|Goor, Gaston]]

Etenne at 20:07, 23 February 2014

2014-02-23T20:07:50Z

← Older revision		Revision as of 20:07, 23 February 2014
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	[[fr:Gaston Goor]]		[[fr:Gaston Goor]]
	[[Category:People]]		[[Category:People\|Goor, Gaston]]
	[[Category:Art]]		[[Category:Art\|Goor, Gaston]]
			[[ Category:1902 births\|Goor, Gaston]]

Etenne: /* Biography */

2013-07-14T13:28:58Z

Biography

← Older revision		Revision as of 13:28, 14 July 2013
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	He worked for the colonial exposition of 1929, and then created different work of Interior decoration for individuals. The paintings he paints, on the other hand, do not meet the desired success. He then embarks on a long study trip to Morocco and returned rather briefly to work for the Department of fine arts in 1933, and then moved to Hyères, where his family settled.[[Image:GOOR_Gaston_1936_Portrait_de_Nino_2115x2227.jpg\|300px\|thumb\|right\|''Portrait de Nino'', 1936 <br>Dessin au crayon rehaussé de couleur, 19 × 18 cm <br>(frontispice pour ''Mon page'' de Renaud Icard)]]		He worked for the colonial exposition of 1929, and then created different work of Interior decoration for individuals. The paintings he paints, on the other hand, do not meet the desired success. He then embarks on a long study trip to Morocco and returned rather briefly to work for the Department of fine arts in 1933, and then moved to Hyères, where his family settled.[[Image:GOOR_Gaston_1936_Portrait_de_Nino_2115x2227.jpg\|300px\|thumb\|right\|''Portrait de Nino'', 1936 <br>Dessin au crayon rehaussé de couleur, 19 × 18 cm <br>(frontispice pour ''Mon page'' de Renaud Icard)]]

	It is through an array of 1.50 m., depictions of a young naked man, Jean Joerimann (featured below),that he connects with a fan, the writer and gallery owner Lyon Renaud Icard (1886-1971). Icard allows him to exhibit his works in Lyon, in his gallery,” L’Art Français” and a friendship developed between the two men. Gaston Goor graciously created the illustrations for Renaud Icard's book, “Mon page”, which will be published posthumously in 2009 by the Quintes-Feuilles editions. During this period of his life, Gibson is often called to do interior decoration on the behalf of wealthy clients and art lovers. Among these is the owner of Châteaubriant hotel, a large luxury hotel in the town of Hyères, who is the father of Jean Joerimann, the model for the illustrations of Mon page and for which Gibson is in love. The absence of reciprocity of this love causes him great anguish which his correspondences with Renaud Icard would latter recall.		It is through an array of 1.50 m., depictions of a young naked man, Jean Joerimann (featured below),that he connects with a fan, the writer and gallery owner Lyon Renaud Icard (1886-1971). Icard allows him to exhibit his works in Lyon, in his gallery,” L’Art Français” and a friendship developed between the two men. Gaston Goor graciously created the illustrations for Renaud Icard's book, “Mon page”, which will be published posthumously in 2009 by the [[Quintes-Feuilles]] editions. During this period of his life, Gibson is often called to do interior decoration on the behalf of wealthy clients and art lovers. Among these is the owner of Châteaubriant hotel, a large luxury hotel in the town of Hyères, who is the father of Jean Joerimann, the model for the illustrations of Mon page and for which Gibson is in love. The absence of reciprocity of this love causes him great anguish which his correspondences with Renaud Icard would latter recall.

	Called up on by the famous architect Maurice Novarina (1907-2002) to decorate the Church of Douvaine in Haute-Savoie, Gibson moved to this area in 1942. His paintings were not limited to murals: he also liked to paint in the style of classical artists who were easily identifiable.		Called up on by the famous architect Maurice Novarina (1907-2002) to decorate the Church of Douvaine in Haute-Savoie, Gibson moved to this area in 1942. His paintings were not limited to murals: he also liked to paint in the style of classical artists who were easily identifiable.

Etenne: /* Sources */

2013-07-14T13:21:45Z

Sources

← Older revision		Revision as of 13:21, 14 July 2013
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	==Sources==		==Sources==
	*Référence:Propos secrets/L’Innominato, Albin Michel, 1989\|refcourte, p. 201-203.		*Référence:Propos secrets/L’Innominato, Albin Michel, 1989\|refcourte, p. 201-203.
	*[[Jean-Claude Féray]], « L’histoire de ''Mon page'', de ses illustrations et de l’amitié Goor-Icard », in Référence:Mon page/Quintes-Feuilles, 2009\|refcourte, p. 157-195.		*[[Jean-Claude Féray]], « L’histoire de ''Mon page'', de ses illustrations et de l’amitié Goor-Icard », in Référence:Mon page/[[Quintes-Feuilles]], 2009\|refcourte, p. 157-195.
	*Correspondance Gaston Goor – Renaud Icard (1932-1960) [coll. particulière].		*Correspondance Gaston Goor – Renaud Icard (1932-1960) [coll. particulière].



	==A few works==		==A few works==

Etenne at 12:01, 8 February 2013

2013-02-08T12:01:13Z

← Older revision		Revision as of 12:01, 8 February 2013
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	According to Peyrefitte, who collected his written testimony, it would be because Gaston Goor is accused by German police of having helped Jewish people to cross the Swiss border that he was forced to accept "voluntary worker" status in Germany. Gibson finds himself in the camp near Zittau, in Saxony. Nevertheless, he is spotted for his talents, and he is hired as artist. This ended in February 1945 with the destruction of the city of Dresden by Allied bombing.		According to Peyrefitte, who collected his written testimony, it would be because Gaston Goor is accused by German police of having helped Jewish people to cross the Swiss border that he was forced to accept "voluntary worker" status in Germany. Gibson finds himself in the camp near Zittau, in Saxony. Nevertheless, he is spotted for his talents, and he is hired as artist. This ended in February 1945 with the destruction of the city of Dresden by Allied bombing.
	[[Image:GOOR_Gaston_1959_Deux_adolescents_nus_assis_sur_fond_noir_2658x1866.jpg\|350px\|left\|thumb\|''Deux adolescents nus assis sur fond noir'', 1959 <br>Pastel sur carton noir, 32 × 45 cm]]		[[Image:GOOR_Gaston_1959_Deux_adolescents_nus_assis_sur_fond_noir_2658x1866.jpg\|350px\|left\|thumb\|''Deux adolescents nus assis sur fond noir'', 1959 <br>Pastel sur carton noir, 32 × 45 cm]]
	After the war, Gibson first returned to Paris, where he tried to work for the manufactures de Sèvres; then he moved to Cannes on the occasion of an exhibition. He contracted a marriage with a Polish immigrant, Marie Angèle Zajackowski, in May 1947. Goor is then invited back to England by an architect of gardens to create large sculptures. He was developing during this piriod a method of molding without metal frame. It was during his stay in England he is asked by editions Flammarion and Roger Peyrefitte to make illustrations for Amitiés particulières which appear in 1953. This work marks a turning point in the life of Goor, who then returned to the France and settled in Paris. Roger Peyrefitte becomes his real patron, and the catalyst for him creating a number of erotic works (like an illustration of the " l’Éphèbe de Pergame" episode of Satyricon), and he is introduced to many wealthy friends who lavish Goor with many commissions.		After the war, Gibson first returned to Paris, where he tried to work for the manufactures de Sèvres; then he moved to Cannes on the occasion of an exhibition. He contracted a marriage with a Polish immigrant, Marie Angèle Zajackowski, in May 1947. Goor is then invited back to England by an architect of gardens to create large sculptures. He was developing during this piriod a method of molding without metal frame. It was during his stay in England he is asked by editions Flammarion and Roger Peyrefitte to make illustrations for Amitiés particulières which appear in 1953. This work marks a turning point in the life of Goor, who then returned to the France and settled in Paris. [[Roger Peyrefitte]] becomes his real patron, and the catalyst for him creating a number of erotic works (like an illustration of the " l’Éphèbe de Pergame" episode of Satyricon), and he is introduced to many wealthy friends who lavish Goor with many commissions.

	Less is known about the rest of the life of Gaston Goor, marked by some disappointments such as the non-publication of his illustrations for the Satyricon (not to be confused with those almost pornographic, of the only episode of the Ephebe of Pergamon).		Less is known about the rest of the life of Gaston Goor, marked by some disappointments such as the non-publication of his illustrations for the Satyricon (not to be confused with those almost pornographic, of the only episode of the Ephebe of Pergamon).

Etenne: /* A few works */

2013-02-06T22:39:19Z

A few works

← Older revision		Revision as of 22:39, 6 February 2013
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	==A few works==		==A few works==
	[[Image:GOOR_Gaston_1968_L'oracle_-_14_Adolescent_retirant_son_short_1167x1975.jpg\|300px\|thumb\|right\|''Adolescent retirant son short'', 1968 <br>Pastel, 16,8 × 9,9 cm (ill. pour ''[[L’oracle]]'' de [[Roger Peyrefitte]]) <br>Coll. privée]]		[[Image:GOOR_Gaston_1968_L'oracle_-_14_Adolescent_retirant_son_short_1167x1975.jpg\|300px\|thumb\|right\|''Adolescent retirant son short'', 1968 <br>Pastel, 16,8 × 9,9 cm (ill. pour ''L’oracle'' de [[Roger Peyrefitte]]) <br>Coll. privée]]

	Most of the easily accessible Gaston Goor production consists of works of ~~illustration~~ for ~~the edition~~. His paintings are almost all in private collections.		Most of the easily accessible Gaston Goor production consists of works of illustrations for l’édition. His paintings are almost all in private collections.



	* 10 lithographs for the loves of Ovid, translation of Henri Bornecque, Paris, Flammarion (classics of love), 1953, 238 pp., 20 × 14 cm (edition limited to 4 000 ex.)		* 10 lithographs for the loves of Ovid, translation of Henri Bornecque, Paris, Flammarion (classics of love), 1953, 238 pp., 20 × 14 cm (edition limited to 4 000 ex.)


	* 24 lithographs for particular friendships by Roger Peyrefitte, Paris, Flammarion, 1953, 2 vol., [4] - 180 p.-12 pl., [4] - 180 p.-12 pl., 29 × 20 cm (edition limited to 740 ex.)		* 24 lithographs for particular friendships by Roger Peyrefitte, Paris, Flammarion, 1953, 2 vol., [4] - 180 p.-12 pl., [4] - 180 p.-12 pl., 29 × 20 cm (edition limited to 740 ex.)



	* 32 illustrations in the book my Renaud Icard Mon Page - Editions fifths-leaves, 2009-(ISBN 978-2953288513)		* 32 illustrations in the book my Renaud Icard Mon Page - Editions fifths-leaves, 2009-(ISBN 978-2953288513)

← Older revision		Revision as of 13:31, 7 August 2015
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	[[Category: Twentieth century boylovers\|Goor, Gaston]]		[[Category: Twentieth century boylovers\|Goor, Gaston]]
	[[Category:Art\|Goor, Gaston]]		[[Category:Art\|Goor, Gaston]]
			[[Category:Artists\|Goor, Gaston]]
	[[ Category:1902 births\|Goor, Gaston]]		[[ Category:1902 births\|Goor, Gaston]]