Taruho Inagaki - Revision history

Hikari-again: /* Life and work */

2019-02-05T19:47:59Z

Life and work

← Older revision		Revision as of 19:47, 5 February 2019
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	==Life and work==		==Life and work==
	~~Born~~ in Senba, Osaka as the second son to a dentist. During elementary school, he lived Akashi city with his grandparents, and later moved to Kobe. <br>		Taruho was born in Senba, Osaka as the second son to a dentist. During elementary school, he lived Akashi city with his grandparents, and later moved to Kobe. <br>
	He began his career writing fantastical stories about heavenly bodies and flight. He then wrote works on the subject of boy-love, such as the novel "One Thousand and One Second Stories" <ref>https://ja.wikipedia.org/wiki/%E4%B8%80%E5%8D%83%E4%B8%80%E7%A7%92%E7%89%A9%E8%AA%9E</ref> and the essay "Aesthetics of Boylove" (also known as 「少年愛の美学」 and "Asthetik der Knabenliebe"). The essay "Aesthetics of Boylove" won an award in 1969 from Nihon Bungaku Taisho (Japan literature Grand Prize). <ref>https://ja.wikipedia.org/wiki/%E7%A8%B2%E5%9E%A3%E8%B6%B3%E7%A9%82</ref>

	~~Taruho's maiden work~~, One Thousand and One Second Stories ~~was revised countless times until he was satisfied, a habit which would reappear when writing~~ "Aesthetics of Boylove".		He began his career as a novelist by writing fantastical stories about aviation and heavenly bodies. Later, he turned his focus to the subject of boy-love, and wrote the novel "One Thousand and One Second Stories" <ref>https://ja.wikipedia.org/wiki/%E4%B8%80%E5%8D%83%E4%B8%80%E7%A7%92%E7%89%A9%E8%AA%9E</ref> and the essay "Aesthetics of Boylove" (also known as 「少年愛の美学」 and "Asthetik der Knabenliebe"). The essay "Aesthetics of Boylove" won an award in 1969 from Nihon Bungaku Taisho (Japan Literature Grand Prize). <ref>https://ja.wikipedia.org/wiki/%E7%A8%B2%E5%9E%A3%E8%B6%B3%E7%A9%82</ref>

	His essay, 「A感覚とV感覚」, or "A-Sense and V-Sense", was first published in Gunzo magazine in 1945. <ref>https://blogs.yahoo.co.jp/minakata904taruho/3043536.html</ref>In this essay, Inagaki drew copious inspiration from his own youthful experiences and from Freud's developmental stages. He argues that humans are connected by one tube running through the body from mouth (O), to anus (A), which is regarded as the most important and essential of all erotic organs/sites including V[agina], P[enis] and K[litoris]*. He considers A to be "the paragon of the comic, primitive, innocent, and beautiful.~~.."~~A-Sense and V-Sense" ~~gathered~~ praise from many authors including Tatsuhiko Shibusawa, Kousaku Ikuta, Tatsumi Hijikata, Suehiro Tanemura, Juntaro Matsuyama, Ikuya Katou, Mutsuo Takahashi, Seigou Matsuoka, and Hiroshi Aramata, as a original unified erotic theory.		Taruho's maiden work, One Thousand and One Second Stories, was revised countless times until he was satisfied. This was a habit which would reappear when he wrote "Aesthetics of Boylove", which also went through many editions.

			His essay, 「A感覚とV感覚」, or "A-Sense and V-Sense", was first published in Gunzo magazine in 1945. <ref>https://blogs.yahoo.co.jp/minakata904taruho/3043536.html</ref>In this essay, Inagaki drew copious inspiration from his own youthful experiences and from Freud's developmental stages. He argues that humans are connected by one tube running through the body from mouth (O), to anus (A), which is regarded as the most important and essential of all erotic organs/sites including V[agina], P[enis] and K[litoris]*. He considers A to be "the paragon of the comic, primitive, innocent, and beautiful". A-Sense and V-Sense" garnered praise from many authors including Tatsuhiko Shibusawa, Kousaku Ikuta, Tatsumi Hijikata, Suehiro Tanemura, Juntaro Matsuyama, Ikuya Katou, Mutsuo Takahashi, Seigou Matsuoka, and Hiroshi Aramata, as a original unified erotic theory.

	*=Inagaki uses the German spelling rather than the English spelling.		*=Inagaki uses the German spelling rather than the English spelling.

	==Aesthetics of Boylove==		==Aesthetics of Boylove==
	Taruho's compiled essay "Aesthetics of Boylove" went through many name changes and revisions throughout the years. It was originally published in 1958 in a magazine under the name "About Hypnide", which was then renamed to "Boylove Supremacy", which then again changed to "Aesthetics of Boylove", and finally became "Aesthetics of Boylove (Revised edition)". The contents as well, was revised and augemented many times, so that now it not simply limited to the topic of boylove. It also has high value as a work about unique emotional love in general.		Taruho's compiled essay "Aesthetics of Boylove" went through many name changes and revisions throughout the years. It was originally published in 1958 in a magazine under the name "About Hypnide", which was then renamed to "Boylove Supremacy", which then again changed to "Aesthetics of Boylove", and finally became "Aesthetics of Boylove (Revised edition)". The contents as well, was revised and augemented many times, so that now it not simply limited to the topic of boylove. It also has high value as a work about unique emotional love in general.

Hikari-again at 07:08, 12 August 2017

2017-08-12T07:08:24Z

← Older revision		Revision as of 07:08, 12 August 2017
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	In the forward...he discusses his previous work, Memory of Hemmorhoids, and his inspirations for this work. In actuality, this work has nothing to do with hemorrhoids. He explains being inspired by Francois Rabelais' Gargantua and Pantagruel, Mussorgsky's Pictures at an Exhibition, and Henry James' "The Turn of the Screw". He describes it as his version of "The Turn of the Screw". <br>		In the forward...he discusses his previous work, Memory of Hemmorhoids, and his inspirations for this work. In actuality, this work has nothing to do with hemorrhoids. He explains being inspired by Francois Rabelais' Gargantua and Pantagruel, Mussorgsky's Pictures at an Exhibition, and Henry James' "The Turn of the Screw". He describes it as his version of "The Turn of the Screw". <br>
	In Little Boy Hypnide...he talks about the development of the previously mentioned erotic zones in children. He believes that is unfair to associate the mouth with only ingestion of food or the anus with only excretion. In general, he argues, children are experts at making any part of their skin a “second erotic zone”.<br>		In Little Boy Hypnide...he talks about the development of the previously mentioned erotic zones in children. He believes that is unfair to associate the mouth with only ingestion of food or the anus with only excretion. In general, he argues, children are experts at making any part of their skin a “second erotic zone”.<br>
	In A-Sense Abstraction, he touches briefly on what is ~~Pedicatio~~. (p.143)<br>		In A-Sense Abstraction, he touches briefly on what is Paedicatio. (p.143)<br>
	*=This phrase is a reference to Mt. Koyasan and Mt. Nachisan. According to the phrase, in Koyasan and Nachisan nanshoku is so popular, that there are some people who can find a partner even when they are aged 60 or 80.		*=This phrase is a reference to Mt. Koyasan and Mt. Nachisan. According to the phrase, in Koyasan and Nachisan [[nanshoku]] is so popular, that there are some people who can find a partner even when they are aged 60 or 80.



	==Thoughts on pederasty and nanshoku==		==Thoughts on pederasty and nanshoku==
	"To sum things up, the mythical Latin word "pederastia" has morphed into the modern word "pederasty". Greek and Roman literature both use this word. Therefore, to describe the tradition of [[nanshoku]] in English, it is appropriate to use the term pederasty. The meaning is boy's love." <ref> Paedicatio, Taruho Inagaki, 1988.</ref>		"To sum things up, the mythical Latin word "pederastia" has morphed into the modern word "pederasty". Greek and Roman literature both use this word. Therefore, to describe the tradition of nanshoku in English, it is appropriate to use the term pederasty. The meaning is boy's love." <ref> Paedicatio, Taruho Inagaki, 1988.</ref>
	==Paedicatio==		==Paedicatio==
	Paedicatio is a collection of highlights of his work that has to do with boys.		Paedicatio is a collection of highlights of his work that has to do with boys.
			==References==
	[[Category:~~Draft~~]]		{{reflist}}
			[[Category:Authors]]
			[[Category:Japan]]

Hikari-again at 07:01, 12 August 2017

2017-08-12T07:01:57Z

← Older revision		Revision as of 07:01, 12 August 2017
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	Taruho Inagaki (稲垣足穂) ([[December 26]], [[1900]], – [[October 25]], [[1977]]), was a novelist. Born in Senba, Osaka as the second son to a dentist. During elementary school, he lived Akashi city with his grandparents, and later moved to Kobe. <br>		Taruho Inagaki (稲垣足穂) ([[December 26]], [[1900]], – [[October 25]], [[1977]]), was a novelist known for writing stories about flight, mechanism, eroticism, and heavenly bodies (both on Earth <i>and</i> in outer space).
	He began his career writing fantastical stories ~~about　heavenly~~ bodies and flight. He then wrote works on the subject of boy-love, such as the novel "One Thousand and One Second Stories" and the essay "Aesthetics of Boylove" (also known as 「少年愛の美学」 and "Asthetik der Knabenliebe"). The essay "Aesthetics of Boylove" won an award in 1969 from Nihon Bungaku Taisho (Japan literature Grand Prize).
			==Life and work==
			Born in Senba, Osaka as the second son to a dentist. During elementary school, he lived Akashi city with his grandparents, and later moved to Kobe. <br>
			He began his career writing fantastical stories about heavenly bodies and flight. He then wrote works on the subject of boy-love, such as the novel "One Thousand and One Second Stories" <ref>https://ja.wikipedia.org/wiki/%E4%B8%80%E5%8D%83%E4%B8%80%E7%A7%92%E7%89%A9%E8%AA%9E</ref> and the essay "Aesthetics of Boylove" (also known as 「少年愛の美学」 and "Asthetik der Knabenliebe"). The essay "Aesthetics of Boylove" won an award in 1969 from Nihon Bungaku Taisho (Japan literature Grand Prize). <ref>https://ja.wikipedia.org/wiki/%E7%A8%B2%E5%9E%A3%E8%B6%B3%E7%A9%82</ref>

	Taruho's maiden work, One Thousand and One Second Stories was revised countless times until he was satisfied, a habit which would reappear when writing "Aesthetics of Boylove".		Taruho's maiden work, One Thousand and One Second Stories was revised countless times until he was satisfied, a habit which would reappear when writing "Aesthetics of Boylove".

	His essay, ~~『A感覚とV感覚』~~, or "A-Sense and V-Sense" was first published in ~~the~~ magazine ~~Gunzo~~ in 1945. ~~[Ref=~~https://blogs.yahoo.co.jp/minakata904taruho/3043536.html]In this essay, Inagaki drew inspiration ~~copiously~~ from his own youthful experiences and from Freud's developmental stages. He argues that humans are connected by one tube running through the body from mouth (O), to anus (A), which is regarded as the most important and essential of all erotic organs/sites including V[agina], P[enis] and K[litoris]*. He considers A to be "the paragon of the comic, primitive, innocent, and beautiful..."A-Sense and V-Sense" gathered praise from many authors including Tatsuhiko Shibusawa, Kousaku Ikuta, Tatsumi Hijikata, Suehiro Tanemura, Juntaro Matsuyama, Ikuya Katou, Mutsuo Takahashi, Seigou Matsuoka, and Hiroshi Aramata, as a original unified erotic theory.		His essay, 「A感覚とV感覚」, or "A-Sense and V-Sense", was first published in Gunzo magazine in 1945. <ref>https://blogs.yahoo.co.jp/minakata904taruho/3043536.html</ref>In this essay, Inagaki drew copious inspiration from his own youthful experiences and from Freud's developmental stages. He argues that humans are connected by one tube running through the body from mouth (O), to anus (A), which is regarded as the most important and essential of all erotic organs/sites including V[agina], P[enis] and K[litoris]*. He considers A to be "the paragon of the comic, primitive, innocent, and beautiful..."A-Sense and V-Sense" gathered praise from many authors including Tatsuhiko Shibusawa, Kousaku Ikuta, Tatsumi Hijikata, Suehiro Tanemura, Juntaro Matsuyama, Ikuya Katou, Mutsuo Takahashi, Seigou Matsuoka, and Hiroshi Aramata, as a original unified erotic theory.

	*=Inagaki uses the German spelling rather than the English spelling.		*=Inagaki uses the German spelling rather than the English spelling.
Line 20:		Line 23:
	In Little Boy Hypnide...he talks about the development of the previously mentioned erotic zones in children. He believes that is unfair to associate the mouth with only ingestion of food or the anus with only excretion. In general, he argues, children are experts at making any part of their skin a “second erotic zone”.<br>		In Little Boy Hypnide...he talks about the development of the previously mentioned erotic zones in children. He believes that is unfair to associate the mouth with only ingestion of food or the anus with only excretion. In general, he argues, children are experts at making any part of their skin a “second erotic zone”.<br>
	In A-Sense Abstraction, he touches briefly on what is Pedicatio. (p.143)<br>		In A-Sense Abstraction, he touches briefly on what is Pedicatio. (p.143)<br>
	*This phrase is a reference to Mt. Koyasan and Mt. Nachisan. According to the phrase, in Koyasan and Nachisan nanshoku is so popular, that there are some people who can find a partner even when they are aged 60 or 80.		*=This phrase is a reference to Mt. Koyasan and Mt. Nachisan. According to the phrase, in Koyasan and Nachisan nanshoku is so popular, that there are some people who can find a partner even when they are aged 60 or 80.



	==Thoughts on pederasty and nanshoku==		==Thoughts on pederasty and nanshoku==
	"To sum things up, the mythical Latin word "pederastia" has morphed into the modern word "pederasty". Greek and Roman literature both use this word. Therefore, to describe the tradition of [[nanshoku]] in English, it is appropriate to use the term pederasty. The meaning is boy's love." (ref: Paedicatio, Taruho Inagaki, 1988.)		"To sum things up, the mythical Latin word "pederastia" has morphed into the modern word "pederasty". Greek and Roman literature both use this word. Therefore, to describe the tradition of [[nanshoku]] in English, it is appropriate to use the term pederasty. The meaning is boy's love." <ref> Paedicatio, Taruho Inagaki, 1988.</ref>
	==Paedicatio==		==Paedicatio==
	Paedicatio is a collection of highlights of his work that has to do with boys.		Paedicatio is a collection of highlights of his work that has to do with boys.
	~~==Principia paedophilia==~~
	~~One short work written by Inagaki is Principia Paedophilia.~~
	~~Krafft-Ebing~~
	[[Category:Draft]]		[[Category:Draft]]

Hikari-again: Under Construction

2017-08-11T06:25:36Z

Under Construction

← Older revision		Revision as of 06:25, 11 August 2017
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	Taruho Inagaki (稲垣足穂, ~~in Japanese~~, ~~Inagaki Taruho) (1900年12月26日 - 1977年10月25日~~) was a novelist. Born in Senba, Osaka, he ~~wrote~~ fantastical stories about　heavenly bodies and flight, then ~~later~~ wrote works on the subject of boy love, such as the novel One ~~thousand~~ and One Second Stories and the essay "Aesthetics of Boylove" (also known as ~~"少年愛の美学"~~ and "Asthetik der Knabenliebe"). The essay "Aesthetics of Boylove" won an award in 1969 from Nihon Bungaku Taisho (Japan literature Grand Prize).		Taruho Inagaki (稲垣足穂) ([[December 26]], [[1900]], – [[October 25]], [[1977]]), was a novelist. Born in Senba, Osaka as the second son to a dentist. During elementary school, he lived Akashi city with his grandparents, and later moved to Kobe. <br>
	~~He was born in Senba, as the second son to a dentist. During elementary school, he lived Akashi city with his grandparents, and later moved to Kobe~~.		He began his career writing fantastical stories about　heavenly bodies and flight. He then wrote works on the subject of boy-love, such as the novel "One Thousand and One Second Stories" and the essay "Aesthetics of Boylove" (also known as 「少年愛の美学」 and "Asthetik der Knabenliebe"). The essay "Aesthetics of Boylove" won an award in 1969 from Nihon Bungaku Taisho (Japan literature Grand Prize).

			Taruho's maiden work, One Thousand and One Second Stories was revised countless times until he was satisfied, a habit which would reappear when writing "Aesthetics of Boylove".

	~~==Award-winning works=~~		His essay, 『A感覚とV感覚』, or "A-Sense and V-Sense" was first published in the magazine Gunzo in 1945. [Ref=https://blogs.yahoo.co.jp/minakata904taruho/3043536.html]In this essay, Inagaki drew inspiration copiously from his own youthful experiences and from Freud's developmental stages. He argues that humans are connected by one tube running through the body from mouth (O), to anus (A), which is regarded as the most important and essential of all erotic organs/sites including V[agina], P[enis] and K[litoris]*. He considers A to be "the paragon of the comic, primitive, innocent, and beautiful..."A-Sense and V-Sense" gathered praise from many authors including Tatsuhiko Shibusawa, Kousaku Ikuta, Tatsumi Hijikata, Suehiro Tanemura, Juntaro Matsuyama, Ikuya Katou, Mutsuo Takahashi, Seigou Matsuoka, and Hiroshi Aramata, as a original unified erotic theory.
	~~Taruho's maiden work, One thousand and One Second Stories was revised countless times until he was satisfied, a habit which would reappear when writing "Aesthetics of Boylove".~~

	His essay, 『A感覚とV感覚』, or "A-Sense and V-Sense" was first published in the magazine Gunzo in 1945. [Ref=https://blogs.yahoo.co.jp/minakata904taruho/3043536.html]In this essay, Inagaki ~~draws~~ from his own youthful experiences. He argues that humans are connected by one tube running through the body from mouth (O), to anus (A). It gathered praise from many authors including Tatsuhiko Shibusawa, Kousaku Ikuta, Tatsumi Hijikata, Suehiro Tanemura, Juntaro Matsuyama, Ikuya Katou, Mutsuo Takahashi, Seigou Matsuoka, and Hiroshi Aramata, as a original unified erotic theory.


			*=Inagaki uses the German spelling rather than the English spelling.
			==Aesthetics of Boylove==
	Taruho's compiled essay "Aesthetics of Boylove" went through many name changes and revisions throughout the years. It was originally published in 1958 in a magazine under the name "About Hypnide", which was then renamed to "Boylove Supremacy", which then again changed to "Aesthetics of Boylove", and finally became "Aesthetics of Boylove (Revised edition)". The contents as well, was revised and augemented many times, so that now it not simply limited to the topic of boylove. It also has high value as a work about unique emotional love in general.		Taruho's compiled essay "Aesthetics of Boylove" went through many name changes and revisions throughout the years. It was originally published in 1958 in a magazine under the name "About Hypnide", which was then renamed to "Boylove Supremacy", which then again changed to "Aesthetics of Boylove", and finally became "Aesthetics of Boylove (Revised edition)". The contents as well, was revised and augemented many times, so that now it not simply limited to the topic of boylove. It also has high value as a work about unique emotional love in general.

	In the 1973 edition, the contents is as follows:		In the 1973 edition, the contents is as follows:<br>
	Forward...7		Forward...7<br>
	Little Boy Hypnide...13		Little Boy Hypnide...13<br>
	A-Sense Abstraction...95		A-Sense Abstraction...95<br>
	Koya Sixty Nachi Eighty*...199		Koya Sixty Nachi Eighty*...199<br>
	A long tale of autumn night...261		A long tale of autumn night...261<br>

	In the forward...		In the forward...he discusses his previous work, Memory of Hemmorhoids, and his inspirations for this work. In actuality, this work has nothing to do with hemorrhoids. He explains being inspired by Francois Rabelais' Gargantua and Pantagruel, Mussorgsky's Pictures at an Exhibition, and Henry James' "The Turn of the Screw". He describes it as his version of "The Turn of the Screw". <br>
	In Little Boy Hypnide...		In Little Boy Hypnide...he talks about the development of the previously mentioned erotic zones in children. He believes that is unfair to associate the mouth with only ingestion of food or the anus with only excretion. In general, he argues, children are experts at making any part of their skin a “second erotic zone”.<br>
	In A-Sense Abstraction, he touches briefly on what is Pedicatio. (p.143)		In A-Sense Abstraction, he touches briefly on what is Pedicatio. (p.143)<br>
	*This phrase is a reference to Mt. Koyasan and Mt. Nachisan. According to the phrase, in Koyasan and Nachisan nanshoku is so popular, that there are some people who can find a partner even when they are aged 60 or 80.		*This phrase is a reference to Mt. Koyasan and Mt. Nachisan. According to the phrase, in Koyasan and Nachisan nanshoku is so popular, that there are some people who can find a partner even when they are aged 60 or 80.

Hikari-again: draft

2017-08-10T07:30:17Z

draft

New page

Taruho Inagaki (稲垣足穂, in Japanese, Inagaki Taruho) (1900年12月26日 - 1977年10月25日) was a novelist. Born in Senba, Osaka, he wrote fantastical stories about　heavenly bodies and flight, then later wrote works on the subject of boy love, such as the novel One thousand and One Second Stories and the essay "Aesthetics of Boylove" (also known as "少年愛の美学" and "Asthetik der Knabenliebe"). The essay "Aesthetics of Boylove" won an award in 1969 from Nihon Bungaku Taisho (Japan literature Grand Prize).
He was born in Senba, as the second son to a dentist. During elementary school, he lived Akashi city with his grandparents, and later moved to Kobe.

==Award-winning works=
Taruho's maiden work, One thousand and One Second Stories was revised countless times until he was satisfied, a habit which would reappear when writing "Aesthetics of Boylove".

His essay, 『A感覚とV感覚』, or "A-Sense and V-Sense" was first published in the magazine Gunzo in 1945. [Ref=https://blogs.yahoo.co.jp/minakata904taruho/3043536.html]In this essay, Inagaki draws from his own youthful experiences. He argues that humans are connected by one tube running through the body from mouth (O), to anus (A). It gathered praise from many authors including Tatsuhiko Shibusawa, Kousaku Ikuta, Tatsumi Hijikata, Suehiro Tanemura, Juntaro Matsuyama, Ikuya Katou, Mutsuo Takahashi, Seigou Matsuoka, and Hiroshi Aramata, as a original unified erotic theory.

Taruho's compiled essay "Aesthetics of Boylove" went through many name changes and revisions throughout the years. It was originally published in 1958 in a magazine under the name "About Hypnide", which was then renamed to "Boylove Supremacy", which then again changed to "Aesthetics of Boylove", and finally became "Aesthetics of Boylove (Revised edition)". The contents as well, was revised and augemented many times, so that now it not simply limited to the topic of boylove. It also has high value as a work about unique emotional love in general.

In the 1973 edition, the contents is as follows:
Forward...7
Little Boy Hypnide...13
A-Sense Abstraction...95
Koya Sixty Nachi Eighty*...199
A long tale of autumn night...261

In the forward...
In Little Boy Hypnide...
In A-Sense Abstraction, he touches briefly on what is Pedicatio. (p.143)
*This phrase is a reference to Mt. Koyasan and Mt. Nachisan. According to the phrase, in Koyasan and Nachisan nanshoku is so popular, that there are some people who can find a partner even when they are aged 60 or 80.

==Thoughts on pederasty and nanshoku==
"To sum things up, the mythical Latin word "pederastia" has morphed into the modern word "pederasty". Greek and Roman literature both use this word. Therefore, to describe the tradition of [[nanshoku]] in English, it is appropriate to use the term pederasty. The meaning is boy's love." (ref: Paedicatio, Taruho Inagaki, 1988.)
==Paedicatio==
Paedicatio is a collection of highlights of his work that has to do with boys.
==Principia paedophilia==
One short work written by Inagaki is Principia Paedophilia.
Krafft-Ebing
[[Category:Draft]]