<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://www.boywiki.org/en/index.php?action=history&amp;feed=atom&amp;title=Wakash%C5%AB</id>
	<title>Wakashū - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://www.boywiki.org/en/index.php?action=history&amp;feed=atom&amp;title=Wakash%C5%AB"/>
	<link rel="alternate" type="text/html" href="https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;action=history"/>
	<updated>2026-06-20T03:01:27Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.45.3</generator>
	<entry>
		<id>https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=49571&amp;oldid=prev</id>
		<title>Dandelion: Made a pair of changes to the wikicode</title>
		<link rel="alternate" type="text/html" href="https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=49571&amp;oldid=prev"/>
		<updated>2021-08-18T10:35:31Z</updated>

		<summary type="html">&lt;p&gt;Made a pair of changes to the wikicode&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:35, 18 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Suzuki Harunobu - A Wakashū Looking at a Painting of Mount Fuji.png|thumb|right|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;i&amp;gt;&lt;/del&gt;A Wakashū Looking at a Painting of Mount Fuji&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/i&amp;gt; &lt;/del&gt;(ca. 1650). Japanese woodblock print by Suzuki Harunobu.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Suzuki Harunobu - A Wakashū Looking at a Painting of Mount Fuji.png|thumb|right|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;A Wakashū Looking at a Painting of Mount Fuji&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;(ca. 1650). Japanese woodblock print by Suzuki Harunobu.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Dandelion</name></author>
	</entry>
	<entry>
		<id>https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=43413&amp;oldid=prev</id>
		<title>Dandelion: Modified the caption of an image</title>
		<link rel="alternate" type="text/html" href="https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=43413&amp;oldid=prev"/>
		<updated>2019-06-10T14:18:30Z</updated>

		<summary type="html">&lt;p&gt;Modified the caption of an image&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:18, 10 June 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Suzuki Harunobu - A Wakashū Looking at a Painting of Mount Fuji.png|thumb|right|&amp;lt;i&amp;gt;A Wakashū Looking at a Painting of Mount Fuji&amp;lt;/i&amp;gt; (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;circa &lt;/del&gt;1650). Japanese woodblock print by Suzuki Harunobu.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Suzuki Harunobu - A Wakashū Looking at a Painting of Mount Fuji.png|thumb|right|&amp;lt;i&amp;gt;A Wakashū Looking at a Painting of Mount Fuji&amp;lt;/i&amp;gt; (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ca. &lt;/ins&gt;1650). Japanese woodblock print by Suzuki Harunobu.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Dandelion</name></author>
	</entry>
	<entry>
		<id>https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=43411&amp;oldid=prev</id>
		<title>Dandelion: Added a word to the caption of an image</title>
		<link rel="alternate" type="text/html" href="https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=43411&amp;oldid=prev"/>
		<updated>2019-06-10T14:06:07Z</updated>

		<summary type="html">&lt;p&gt;Added a word to the caption of an image&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:06, 10 June 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Suzuki Harunobu - A Wakashū Looking at a Painting of Mount Fuji.png|thumb|right|&amp;lt;i&amp;gt;A Wakashū Looking at a Painting of Mount Fuji&amp;lt;/i&amp;gt; (circa 1650). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Woodblock &lt;/del&gt;print by Suzuki Harunobu.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Suzuki Harunobu - A Wakashū Looking at a Painting of Mount Fuji.png|thumb|right|&amp;lt;i&amp;gt;A Wakashū Looking at a Painting of Mount Fuji&amp;lt;/i&amp;gt; (circa 1650). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Japanese woodblock &lt;/ins&gt;print by Suzuki Harunobu.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Dandelion</name></author>
	</entry>
	<entry>
		<id>https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=42009&amp;oldid=prev</id>
		<title>Dandelion: Replaced an image and removed a blank line</title>
		<link rel="alternate" type="text/html" href="https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=42009&amp;oldid=prev"/>
		<updated>2019-02-11T14:28:27Z</updated>

		<summary type="html">&lt;p&gt;Replaced an image and removed a blank line&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:28, 11 February 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;432px&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jpg&lt;/del&gt;|thumb|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;200px&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;alt=Woodblock print by Ishikawa Toyonobu &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kabuki actors Nakamura Shichisaburō II and Sanogawa Ichimatsu, signed &#039;Meijōdō Ishikawa Shūha Toyonobu zu&#039;, 1740s&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/del&gt;Woodblock print by &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairstyle&lt;/del&gt;.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Suzuki Harunobu &lt;/ins&gt;- &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A Wakashū Looking at a Painting of Mount Fuji&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;png&lt;/ins&gt;|thumb|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;right&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;i&amp;gt;A Wakashū Looking at a Painting &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mount Fuji&amp;lt;/i&amp;gt; (circa 1650)&lt;/ins&gt;. Woodblock print by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Suzuki Harunobu&lt;/ins&gt;.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concept of &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; contained several partially overlapping elements: an age category between childhood and adulthood; the social role of a pre-adult or adolescent boy, usually conceived of as a subordinate (student, apprentice or protégé); and the idea of the &amp;quot;beautiful youth&amp;quot;, a suitable target for homosexual desire and the subject of &amp;#039;&amp;#039;[[Homosexuality in Japan#Ancient Japan|wakashūdo]]&amp;#039;&amp;#039;, &amp;quot;the way of youths&amp;quot;. As boys were considered eligible for homosexual liaisons only when they were &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039;, their patrons occasionally delayed their coming of age ceremony beyond socially acceptable limits, leading to legal efforts in 1685 to require all &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; to undergo their coming of age ceremony by age 25.&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=34, note 24|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concept of &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; contained several partially overlapping elements: an age category between childhood and adulthood; the social role of a pre-adult or adolescent boy, usually conceived of as a subordinate (student, apprentice or protégé); and the idea of the &amp;quot;beautiful youth&amp;quot;, a suitable target for homosexual desire and the subject of &amp;#039;&amp;#039;[[Homosexuality in Japan#Ancient Japan|wakashūdo]]&amp;#039;&amp;#039;, &amp;quot;the way of youths&amp;quot;. As boys were considered eligible for homosexual liaisons only when they were &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039;, their patrons occasionally delayed their coming of age ceremony beyond socially acceptable limits, leading to legal efforts in 1685 to require all &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; to undergo their coming of age ceremony by age 25.&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=34, note 24|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the [[Meiji era]], the term became obsolete; the first meanings were replaced by the new term &amp;#039;&amp;#039;[[shōnen]]&amp;#039;&amp;#039;, and the last by the related construction &amp;#039;&amp;#039;[[bishōnen]]&amp;#039;&amp;#039; (&amp;quot;beautiful boy&amp;quot;).&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=221–234|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the [[Meiji era]], the term became obsolete; the first meanings were replaced by the new term &amp;#039;&amp;#039;[[shōnen]]&amp;#039;&amp;#039;, and the last by the related construction &amp;#039;&amp;#039;[[bishōnen]]&amp;#039;&amp;#039; (&amp;quot;beautiful boy&amp;quot;).&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=221–234|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Dandelion</name></author>
	</entry>
	<entry>
		<id>https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=27041&amp;oldid=prev</id>
		<title>Etenne at 15:22, 2 July 2015</title>
		<link rel="alternate" type="text/html" href="https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=27041&amp;oldid=prev"/>
		<updated>2015-07-02T15:22:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:22, 2 July 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:432px-Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg|thumb|alt=Woodblock print by Ishikawa Toyonobu of kabuki actors Nakamura Shichisaburō II and Sanogawa Ichimatsu, signed &#039;Meijōdō Ishikawa Shūha Toyonobu zu&#039;, 1740s.|Woodblock print by Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairstyle.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:432px-Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg|thumb&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|200px&lt;/ins&gt;|alt=Woodblock print by Ishikawa Toyonobu of kabuki actors Nakamura Shichisaburō II and Sanogawa Ichimatsu, signed &#039;Meijōdō Ishikawa Shūha Toyonobu zu&#039;, 1740s.|Woodblock print by Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairstyle.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Wakashu}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Wakashu}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Shudo]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Japan]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Japan]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Etenne</name></author>
	</entry>
	<entry>
		<id>https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=27040&amp;oldid=prev</id>
		<title>Etenne at 15:20, 2 July 2015</title>
		<link rel="alternate" type="text/html" href="https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=27040&amp;oldid=prev"/>
		<updated>2015-07-02T15:20:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:20, 2 July 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Draft}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:432px-Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg|thumb|alt=Woodblock print by Ishikawa Toyonobu of kabuki actors Nakamura Shichisaburō II and Sanogawa Ichimatsu, signed &amp;#039;Meijōdō Ishikawa Shūha Toyonobu zu&amp;#039;, 1740s.|Woodblock print by Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairstyle.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:432px-Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg|thumb|alt=Woodblock print by Ishikawa Toyonobu of kabuki actors Nakamura Shichisaburō II and Sanogawa Ichimatsu, signed &amp;#039;Meijōdō Ishikawa Shūha Toyonobu zu&amp;#039;, 1740s.|Woodblock print by Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairstyle.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Etenne</name></author>
	</entry>
	<entry>
		<id>https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=27039&amp;oldid=prev</id>
		<title>Etenne at 15:19, 2 July 2015</title>
		<link rel="alternate" type="text/html" href="https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=27039&amp;oldid=prev"/>
		<updated>2015-07-02T15:19:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:19, 2 July 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Draft}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Draft}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Image&lt;/del&gt;:Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg|thumb|alt=Woodblock print by Ishikawa Toyonobu of kabuki actors Nakamura Shichisaburō II and Sanogawa Ichimatsu, signed &#039;Meijōdō Ishikawa Shūha Toyonobu zu&#039;, 1740s.|Woodblock print by Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairstyle.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;File&lt;/ins&gt;:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;432px-&lt;/ins&gt;Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg|thumb|alt=Woodblock print by Ishikawa Toyonobu of kabuki actors Nakamura Shichisaburō II and Sanogawa Ichimatsu, signed &#039;Meijōdō Ishikawa Shūha Toyonobu zu&#039;, 1740s.|Woodblock print by Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairstyle.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot;&gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concept of &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; contained several partially overlapping elements: an age category between childhood and adulthood; the social role of a pre-adult or adolescent boy, usually conceived of as a subordinate (student, apprentice or protégé); and the idea of the &amp;quot;beautiful youth&amp;quot;, a suitable target for homosexual desire and the subject of &amp;#039;&amp;#039;[[Homosexuality in Japan#Ancient Japan|wakashūdo]]&amp;#039;&amp;#039;, &amp;quot;the way of youths&amp;quot;. As boys were considered eligible for homosexual liaisons only when they were &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039;, their patrons occasionally delayed their coming of age ceremony beyond socially acceptable limits, leading to legal efforts in 1685 to require all &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; to undergo their coming of age ceremony by age 25.&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=34, note 24|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The concept of &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; contained several partially overlapping elements: an age category between childhood and adulthood; the social role of a pre-adult or adolescent boy, usually conceived of as a subordinate (student, apprentice or protégé); and the idea of the &amp;quot;beautiful youth&amp;quot;, a suitable target for homosexual desire and the subject of &amp;#039;&amp;#039;[[Homosexuality in Japan#Ancient Japan|wakashūdo]]&amp;#039;&amp;#039;, &amp;quot;the way of youths&amp;quot;. As boys were considered eligible for homosexual liaisons only when they were &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039;, their patrons occasionally delayed their coming of age ceremony beyond socially acceptable limits, leading to legal efforts in 1685 to require all &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; to undergo their coming of age ceremony by age 25.&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=34, note 24|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Kannazuki, Harunobu Suzuki, c. 1770.jpg|thumb|alt=&quot;Kannazuki&quot; (tenth month of the traditional Japanese calendar), polychrome woodblock print. Original woodblock by Harunobu Suzuki c. 1770, later printing. One of a pair (with &quot;Risshun&quot;) showing a young couple in autumn and spring, respectively.|A wakashū (seated) and his female companion in elegant autumn surroundings. Note furisode sleeves worn by both. Suzuki Harunobu, polychrome woodblock print, c. 1770]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the [[Meiji era]], the term became obsolete; the first meanings were replaced by the new term &amp;#039;&amp;#039;[[shōnen]]&amp;#039;&amp;#039;, and the last by the related construction &amp;#039;&amp;#039;[[bishōnen]]&amp;#039;&amp;#039; (&amp;quot;beautiful boy&amp;quot;).&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=221–234|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the [[Meiji era]], the term became obsolete; the first meanings were replaced by the new term &amp;#039;&amp;#039;[[shōnen]]&amp;#039;&amp;#039;, and the last by the related construction &amp;#039;&amp;#039;[[bishōnen]]&amp;#039;&amp;#039; (&amp;quot;beautiful boy&amp;quot;).&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=221–234|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Etenne</name></author>
	</entry>
	<entry>
		<id>https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=26948&amp;oldid=prev</id>
		<title>Etenne: /* References */</title>
		<link rel="alternate" type="text/html" href="https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=26948&amp;oldid=prev"/>
		<updated>2015-06-29T13:50:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;References&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:50, 29 June 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot;&gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Navbox Japan|collapsed}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Wakashu}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Wakashu}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Shudo]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Shudo]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Japan]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Japan]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Etenne</name></author>
	</entry>
	<entry>
		<id>https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=25863&amp;oldid=prev</id>
		<title>Etenne at 17:17, 31 May 2015</title>
		<link rel="alternate" type="text/html" href="https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=25863&amp;oldid=prev"/>
		<updated>2015-05-31T17:17:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:17, 31 May 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Draft}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg|thumb|alt=Woodblock print by Ishikawa Toyonobu of kabuki actors Nakamura Shichisaburō II and Sanogawa Ichimatsu, signed &amp;#039;Meijōdō Ishikawa Shūha Toyonobu zu&amp;#039;, 1740s.|Woodblock print by Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairstyle.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg|thumb|alt=Woodblock print by Ishikawa Toyonobu of kabuki actors Nakamura Shichisaburō II and Sanogawa Ichimatsu, signed &amp;#039;Meijōdō Ishikawa Shūha Toyonobu zu&amp;#039;, 1740s.|Woodblock print by Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairstyle.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Etenne</name></author>
	</entry>
	<entry>
		<id>https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=25856&amp;oldid=prev</id>
		<title>Etenne: Created page with &quot;Image:Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg|thumb|alt=Woodblock print by Ishikawa T...&quot;</title>
		<link rel="alternate" type="text/html" href="https://www.boywiki.org/en/index.php?title=Wakash%C5%AB&amp;diff=25856&amp;oldid=prev"/>
		<updated>2015-05-31T17:01:43Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;Image:Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg|thumb|alt=Woodblock print by Ishikawa T...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[Image:Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg|thumb|alt=Woodblock print by Ishikawa Toyonobu of kabuki actors Nakamura Shichisaburō II and Sanogawa Ichimatsu, signed &amp;#039;Meijōdō Ishikawa Shūha Toyonobu zu&amp;#039;, 1740s.|Woodblock print by Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairstyle.]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039;&amp;#039; ([[Japanese language|Japanese]]:若衆, literally &amp;quot;young person&amp;quot;, although never used for girls), is a historical Japanese term indicating an adolescent boy; more specifically, a boy between the ages at which his head was partially shaven (&amp;#039;&amp;#039;maegami&amp;#039;&amp;#039;) (about 5–10 years of age), at which point a boy exited early childhood and could begin formal education, [[apprenticeship]], or employment outside the home, and the &amp;#039;&amp;#039;[[genpuku]]&amp;#039;&amp;#039; coming of age ceremony (mid teens through early 20s), which marked the transition to adulthood.&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=33|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=125|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; During this period, the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore [[kimono]] with open sleeves (&amp;#039;&amp;#039;wakiake&amp;#039;&amp;#039;); boys from wealthier families could wear &amp;#039;&amp;#039;[[furisode]]&amp;#039;&amp;#039;. After the coming of age ceremony, the forelocks would be shaved off, giving the adult male hairstyle (&amp;#039;&amp;#039;[[chonmage]]&amp;#039;&amp;#039;), and the boy would assume the adult male style of kimono with rounded sleeves. Although any given person would be clearly classified as a child, &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; or adult, the timing of both boundaries of the &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.&lt;br /&gt;
&lt;br /&gt;
The concept of &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; contained several partially overlapping elements: an age category between childhood and adulthood; the social role of a pre-adult or adolescent boy, usually conceived of as a subordinate (student, apprentice or protégé); and the idea of the &amp;quot;beautiful youth&amp;quot;, a suitable target for homosexual desire and the subject of &amp;#039;&amp;#039;[[Homosexuality in Japan#Ancient Japan|wakashūdo]]&amp;#039;&amp;#039;, &amp;quot;the way of youths&amp;quot;. As boys were considered eligible for homosexual liaisons only when they were &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039;, their patrons occasionally delayed their coming of age ceremony beyond socially acceptable limits, leading to legal efforts in 1685 to require all &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; to undergo their coming of age ceremony by age 25.&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|pages=34, note 24|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Kannazuki, Harunobu Suzuki, c. 1770.jpg|thumb|alt=&amp;quot;Kannazuki&amp;quot; (tenth month of the traditional Japanese calendar), polychrome woodblock print. Original woodblock by Harunobu Suzuki c. 1770, later printing. One of a pair (with &amp;quot;Risshun&amp;quot;) showing a young couple in autumn and spring, respectively.|A wakashū (seated) and his female companion in elegant autumn surroundings. Note furisode sleeves worn by both. Suzuki Harunobu, polychrome woodblock print, c. 1770]]&lt;br /&gt;
&lt;br /&gt;
In the [[Meiji era]], the term became obsolete; the first meanings were replaced by the new term &amp;#039;&amp;#039;[[shōnen]]&amp;#039;&amp;#039;, and the last by the related construction &amp;#039;&amp;#039;[[bishōnen]]&amp;#039;&amp;#039; (&amp;quot;beautiful boy&amp;quot;).&amp;lt;ref&amp;gt;{{cite book|last=Pflugfelder|first=Gregory M.|title=Cartographies of desire: male-male sexuality in Japanese discourse, 1600-1950|publisher=University of California Press|year=1999|pages=221–234|isbn=0-520-20909-5}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
 &lt;br /&gt;
In [[kabuki]] theatre &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; (or &amp;#039;&amp;#039;wakashū-gata&amp;#039;&amp;#039;) referred to actors specializing in adolescent male roles (and who were usually &amp;#039;&amp;#039;wakashū&amp;#039;&amp;#039; themselves).&amp;lt;ref&amp;gt;{{cite book|last=Leupp|first=Gary P.|title=Male Colors: The Construction of Homosexuality in Tokugawa Japan|publisher=University of California Press|year=1997|page=90|isbn=0-520-20900-1}}&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Wakashū&amp;#039;&amp;#039; often also performed as &amp;#039;&amp;#039;[[onnagata]]&amp;#039;&amp;#039; (&amp;quot;woman-role&amp;quot;; female impersonators).&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
* [[Shōnen]]&lt;br /&gt;
* [[Bishōnen]]&lt;br /&gt;
* [[Shudō]]&lt;br /&gt;
* [[Homosexuality in Japan#Ancient Japan]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Wakashu}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Shudo]]&lt;br /&gt;
[[Category:Japan]]&lt;/div&gt;</summary>
		<author><name>Etenne</name></author>
	</entry>
</feed>