https://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&feed=atom&action=historyKöçek - Revision history2024-03-29T10:59:24ZRevision history for this page on the wikiMediaWiki 1.41.0https://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&diff=45193&oldid=prevDandelion: /* Culture */2020-02-18T10:55:26Z<p><span dir="auto"><span class="autocomment">Culture</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In his travels to the [[Levant]], Byron had indeed been present at such a dance as described above. His traveling companion, [[John Hobhouse, 1st Baron Broughton|John Cam Hobhouse]], relates in his diary that on Saturday, May 19, 1810:</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In his travels to the [[Levant]], Byron had indeed been present at such a dance as described above. His traveling companion, [[John Hobhouse, 1st Baron Broughton|John Cam Hobhouse]], relates in his diary that on Saturday, May 19, 1810:</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:''This day, went with Byron and a party to the [[Meyhane|wine houses]] of [[Galata]]. Took pipes, and saw two old and ugly boys, who wrung the sweat off their brows, dance as before, waving their long hair. <del style="font-weight: bold; text-decoration: none;"> </del>Also they spread a mat and, putting on a kind of shawl, performed an [[Alexandria]]n <del style="font-weight: bold; text-decoration: none;">woman’s </del>dance—much the same, except that they knelt, and, covering each <del style="font-weight: bold; text-decoration: none;">other’s </del>heads, seemed as if kissing. One of [[Robert Adair (politician)|Mr Adair]]<del style="font-weight: bold; text-decoration: none;">’s </del>[[Janissary|Janissaries]], who talks English and has been in England, was with us. I asked him if these boys would not be hanged in England. <del style="font-weight: bold; text-decoration: none;">“Oh </del>yes, directly. De Turk take and byger dem <del style="font-weight: bold; text-decoration: none;">d’ye </del>see?<del style="font-weight: bold; text-decoration: none;">”</del>''</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:''This day, went with Byron and a party to the [[Meyhane|wine houses]] of [[Galata]]. Took pipes, and saw two old and ugly boys, who wrung the sweat off their brows, dance as before, waving their long hair. Also they spread a mat and, putting on a kind of shawl, performed an [[Alexandria]]n <ins style="font-weight: bold; text-decoration: none;">woman's </ins>dance—much the same, except that they knelt, and, covering each <ins style="font-weight: bold; text-decoration: none;">other's </ins>heads, seemed as if kissing. One of [[Robert Adair (politician)|Mr Adair]]<ins style="font-weight: bold; text-decoration: none;">'s </ins>[[Janissary|Janissaries]], who talks English and has been in England, was with us. I asked him if these boys would not be hanged in England. <ins style="font-weight: bold; text-decoration: none;">"Oh </ins>yes, directly. De Turk take and byger dem <ins style="font-weight: bold; text-decoration: none;">d'ye </ins>see?<ins style="font-weight: bold; text-decoration: none;">"</ins>''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''For this beastly sight we paid fifty-five piastres, five to the boys each, and five to all fiddlers and singers and performers &c., nor is this dear, I understand. Turk boys are not allowed to dance.'' [http://www.hobby-o.com/constantinople.php#ref42 Excerpt from Hobhouse's diary]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''For this beastly sight we paid fifty-five piastres, five to the boys each, and five to all fiddlers and singers and performers &c., nor is this dear, I understand. Turk boys are not allowed to dance.'' [http://www.hobby-o.com/constantinople.php#ref42 Excerpt from Hobhouse's diary]</div></td></tr>
</table>Dandelionhttps://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&diff=45189&oldid=prevDandelion: /* Modern offshoots */2020-02-18T10:49:12Z<p><span dir="auto"><span class="autocomment">Modern offshoots</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Modern offshoots ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Modern offshoots ==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>At present, the same-sex love and sexuality aspect of ''köçek'' culture is considered to have been "a privilege of the powerful economic classes or the world of the arts". Though no new compositions or performances have taken place in the last hundred years, male dancers dressed as women still perform in some areas of Turkey, though their art is no longer primarily of a sensual nature and is seen primarily as folkloric.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>At present, the same-sex love and sexuality aspect of ''köçek'' culture is considered to have been "a privilege of the powerful economic classes or the world of the arts". Though no new compositions or performances have taken place in the last hundred years, male dancers dressed as women still perform in some areas of Turkey, though their art is no longer primarily of a sensual nature and is seen primarily as folkloric.</div></td></tr>
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</table>Dandelionhttps://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&diff=45184&oldid=prevDandelion: /* See also */2020-02-18T10:01:04Z<p><span dir="auto"><span class="autocomment">See also</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==See also==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==See also==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[[<del style="font-weight: bold; text-decoration: none;">Bacchá</del>]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[[<ins style="font-weight: bold; text-decoration: none;">Bacha bazi</ins>]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Pederasty in the Middle East and Central Asia#Ottoman Empire|Pederasty in the Middle East and Central Asia: Ottoman Empire]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Pederasty in the Middle East and Central Asia#Ottoman Empire|Pederasty in the Middle East and Central Asia: Ottoman Empire]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hammam#Tellak (Staff)|Tellak]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hammam#Tellak (Staff)|Tellak]]</div></td></tr>
</table>Dandelionhttps://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&diff=45183&oldid=prevDandelion: /* Culture */2020-02-18T10:00:37Z<p><span dir="auto"><span class="autocomment">Culture</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The names and backgrounds of ''köçeks'' in Istanbul in the 18th century are well documented.<ref name="Dancing fear & desire"> Stavros Stavrou Karayanni (2006). Dancing Fear & Desire: Race, Sexuality and Imperial Politics in Middle Eastern Dance. WLU Press. ISBN 088920926X.</ref><ref name="Music and Gender">{{cite book|author=Tullia Magrini|year=2003|title=Music and Gender: Perspectives from the Mediterranean |url=http://books.google.com/books?id=WoI6AlKdsLgC&pg=PA96#v=onepage&q&f=false |publisher=University of Chicago Press |isbn=0226501663 |page=96}}</ref> Among the more celebrated ''köçeks'' from the end of the 18th century are the Gypsy Benli Ali of [[Didymoteicho|Dimetoka]] (today's [[Greece]]); ''Buyuk'' (big, older) Afet (born Yorgaki) of [[Croatia in the Habsburg Empire#The Ottoman incursion|Croatian]] origin, ''Kucuk'' (little) Afet (born Kaspar) of Armenian origin, and Pandeli from the Greek Island of Chiros. There were at least fifty ''köçeks'' of star stature at the time. The famous ones, like the [[Romani people|Gypsy]] ''köçek'' Ismail, would have to be booked weeks or months in advance, at a very high cost.<ref name="Music and Gender"/></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The names and backgrounds of ''köçeks'' in Istanbul in the 18th century are well documented.<ref name="Dancing fear & desire"> Stavros Stavrou Karayanni (2006). Dancing Fear & Desire: Race, Sexuality and Imperial Politics in Middle Eastern Dance. WLU Press. ISBN 088920926X.</ref><ref name="Music and Gender">{{cite book|author=Tullia Magrini|year=2003|title=Music and Gender: Perspectives from the Mediterranean |url=http://books.google.com/books?id=WoI6AlKdsLgC&pg=PA96#v=onepage&q&f=false |publisher=University of Chicago Press |isbn=0226501663 |page=96}}</ref> Among the more celebrated ''köçeks'' from the end of the 18th century are the Gypsy Benli Ali of [[Didymoteicho|Dimetoka]] (today's [[Greece]]); ''Buyuk'' (big, older) Afet (born Yorgaki) of [[Croatia in the Habsburg Empire#The Ottoman incursion|Croatian]] origin, ''Kucuk'' (little) Afet (born Kaspar) of Armenian origin, and Pandeli from the Greek Island of Chiros. There were at least fifty ''köçeks'' of star stature at the time. The famous ones, like the [[Romani people|Gypsy]] ''köçek'' Ismail, would have to be booked weeks or months in advance, at a very high cost.<ref name="Music and Gender"/></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Western visitors were variously taken with <del style="font-weight: bold; text-decoration: none;">the - for them - unusual </del>sight of [[pederasty]] unleashed. One impression is preserved in ''Don Leon,'' a poem anonymously written in the voice of [[Lord Byron]]:</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Western visitors were variously taken with <ins style="font-weight: bold; text-decoration: none;">the—for them—unusual </ins>sight of [[pederasty]] unleashed. One impression is preserved in ''Don Leon,'' a poem anonymously written in the voice of [[Lord Byron]]:</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Saki - Reza Abbasi - Moraqqa’-e Golshan 1609 Golestan Palace.jpg|thumb|right|250px|''Saki'' ([[1609]]) by [[Reza Abbasi]] (1565–1635). Moraqqa’-e Golshan, [[Isfahan]], Iran; [[Golestan Palace]].]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Saki - Reza Abbasi - Moraqqa’-e Golshan 1609 Golestan Palace.jpg|thumb|right|250px|''Saki'' ([[1609]]) by [[Reza Abbasi]] (1565–1635). Moraqqa’-e Golshan, [[Isfahan]], Iran; [[Golestan Palace]].]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''Here much I saw—and much I mused to see</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''Here much I saw—and much I mused to see</div></td></tr>
</table>Dandelionhttps://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&diff=45182&oldid=prevDandelion: /* Modern offshoots */2020-02-18T09:59:04Z<p><span dir="auto"><span class="autocomment">Modern offshoots</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Modern offshoots ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Modern offshoots ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>At present, the same-sex love and sexuality aspect of ''köçek'' culture is considered to have been "a privilege of the powerful economic classes or the world of the arts.<del style="font-weight: bold; text-decoration: none;">" </del>Though no new compositions or performances have taken place in the last hundred years, male dancers dressed as women still perform in some areas of Turkey, though their art is no longer primarily of a sensual nature and is seen primarily as folkloric.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>At present, the same-sex love and sexuality aspect of ''köçek'' culture is considered to have been "a privilege of the powerful economic classes or the world of the arts<ins style="font-weight: bold; text-decoration: none;">"</ins>. Though no new compositions or performances have taken place in the last hundred years, male dancers dressed as women still perform in some areas of Turkey, though their art is no longer primarily of a sensual nature and is seen primarily as folkloric.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The style however continues to inspire modern musicians. Ulvi Cemal Erkin (1906-1972) is a Turkish classical composer whose most popular masterpiece is [http://www.youtube.com/watch?v=1HfhU6tCcmQ ''Köçekçe''] a dance rhapsody composed in 1943, and perhaps the best known single piece of Turkish music abroad. It was first introduced to the public in 1943 with Ernst Praetorius conducting the Presidential Symphony Orchestra.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The style however continues to inspire modern musicians. Ulvi Cemal Erkin (1906-1972) is a Turkish classical composer whose most popular masterpiece is [http://www.youtube.com/watch?v=1HfhU6tCcmQ ''Köçekçe''] a dance rhapsody composed in 1943, and perhaps the best known single piece of Turkish music abroad. It was first introduced to the public in 1943 with Ernst Praetorius conducting the Presidential Symphony Orchestra.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The music genre has been preserved in the Balkans in the form of the [[<del style="font-weight: bold; text-decoration: none;">Čoček</del>]], and is especially popular in Kosovo, [[Albania]] and the Republic of Macedonia. It is also an important music genre amongst the [[Romani people|Roma-Gypsies]] and is performed at weddings, circumcisions and festivals all over the Balkans.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The music genre has been preserved in the Balkans in the form of the [[<ins style="font-weight: bold; text-decoration: none;">čoček</ins>]], and is especially popular in Kosovo, [[Albania]] and the Republic of Macedonia. It is also an important music genre amongst the [[Romani people|Roma-Gypsies]] and is performed at weddings, circumcisions and festivals all over the Balkans.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Another modern interpretation is the movie ''Kocek'' (''Küçük cadi'' 1975) by director Nejat Saydam. It is probably the first Turkish movie to deal with the topic of [[homosexuality]] and change of [[gender role]].<ref name="A Question of Köçek">{{cite web|author=Aziza Sa'id|url=http://azizasaid.wordpress.com/2008/08/31/a-question-of-kocek-men-in-skirts/|title=A Question of Köçek – Men in Skirts|date=31 August 2008}}</ref><ref>{{cite web |url=http://festival.pembehayat.org/en/34/kocek/ |title=KÖÇEK |publisher=Pink Life QueerFest |accessdate=22 April 2013}}</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Another modern interpretation is the movie ''Kocek'' (''Küçük cadi''<ins style="font-weight: bold; text-decoration: none;">, </ins>1975) by director Nejat Saydam. It is probably the first Turkish movie to deal with the topic of [[homosexuality]] and change of [[gender role]].<ref name="A Question of Köçek">{{cite web|author=Aziza Sa'id|url=http://azizasaid.wordpress.com/2008/08/31/a-question-of-kocek-men-in-skirts/|title=A Question of Köçek – Men in Skirts|date=31 August 2008}}</ref><ref>{{cite web |url=http://festival.pembehayat.org/en/34/kocek/ |title=KÖÇEK |publisher=Pink Life QueerFest |accessdate=22 April 2013}}</ref></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>At the same time, young male dancers dressed in sparkling costumes are again finding favor, despite the objections of conservative commentators. Known as ''rakkas'', they have become a common feature of dance halls and night clubs, performing seductive belly dances, and are reputed to be "as sexual and popular as any of the best Turkish female belly dancers.<del style="font-weight: bold; text-decoration: none;">"</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>At the same time, young male dancers dressed in sparkling costumes are again finding favor, despite the objections of conservative commentators. Known as ''rakkas'', they have become a common feature of dance halls and night clubs, performing seductive belly dances, and are reputed to be "as sexual and popular as any of the best Turkish female belly dancers<ins style="font-weight: bold; text-decoration: none;">"</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==See also==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==See also==</div></td></tr>
</table>Dandelionhttps://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&diff=45181&oldid=prevDandelion: /* Culture */2020-02-18T09:54:40Z<p><span dir="auto"><span class="autocomment">Culture</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Culture ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Culture ==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Koceks - Surname-i Vehbi.jpg|thumb|left|250px|''Köçek troupe at a fair at Sultan Ahmed's 1720 celebration of his sons' circumcision<del style="font-weight: bold; text-decoration: none;">''</del>. Miniature from the ''Surname-i Vehbi'', [[Topkapi Palace]], [[Istanbul]].]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Koceks - Surname-i Vehbi.jpg|thumb|left|250px|''Köçek<ins style="font-weight: bold; text-decoration: none;">'' </ins>troupe at a fair at Sultan Ahmed's 1720 celebration of his sons' circumcision. Miniature from the ''Surname-i Vehbi'', [[Topkapi Palace]], [[Istanbul]].]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A ''köçek'' would begin training around the age of seven or eight, and would be considered accomplished after about six years of study and practice. A dancer's career would last as long as he was beardless and retained his youthful appearance.<ref name="Islamic homosexualities"/> Dancers would get married when they were around 25 or 30, and then could become organizers of a new ''köçek'' troupe. ''Köçeks'' were organized into companies known as ''kol''. Twelve such companies were counted in the mid-1600s, each company averaging about 250 dancers.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A ''köçek'' would begin training around the age of seven or eight, and would be considered accomplished after about six years of study and practice. A dancer's career would last as long as he was beardless and retained his youthful appearance.<ref name="Islamic homosexualities"/> Dancers would get married when they were around 25 or 30, and then could become organizers of a new ''köçek'' troupe. ''Köçeks'' were organized into companies known as ''kol''. Twelve such companies were counted in the mid-1600s, each company averaging about 250 dancers.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Their erotic dances, collectively known as ''köçek oyunu<del style="font-weight: bold; text-decoration: none;">,</del>'' blended [[Arab]], [[:Category:Greece|Greek]], [[Assyria]]n and [[Kurdistan|Kurdish]] elements.<ref name="autogenerated1">{{cite web|url=http://archive.enet.gr/online/online_text?c=113&id=21944776,35729224,43627720 |title=Ελευθεροτυπία - Το ελληνικό γιουσουφάκι! |publisher=Archive.enet.gr |date= |accessdate=2011-12-05}}</ref> They were performed to a particular genre of music known as ''köçekce'', which was performed in the form of suites in a given melody. It too was a mix of [[Sufism|Sufi]], Balkan and [[Ottoman classical music|classical Anatolian]] influences, some of which survives in [[Music of Turkey|popular Turkish music]] today. The accompaniment included various percussion instruments, such as the ''davul-köçek'', the [[davul]] being a large drum, one side covered with goat skin and the other in sheep skin, producing different tones. [[File:Turkish 19th century kocek dancer 01.jpg|thumb|right|250px|Postcard photograph of a ''köçek'' posing in costume, late 19th-century.]]A ''köçek'''s skill would be judged not only on his dancing abilities but also on his proficiency with percussion instruments, especially a type of [[castanets|castagnette]] known as the ''çarpare.''<ref name="Musical Gender Identity"/> In later times these were replaced by metal cymbals called ''[[<del style="font-weight: bold; text-decoration: none;">Zil</del>]]s''. The dancers were accompanied by an orchestra, featuring four to five each [[Kemenche|''kaba kemence'']] and ''lauto'' as principal instruments, used exclusively for ''köçek'' suites.<ref>{{cite web |title=The Classical Turkish Music: Köçekçe |url=http://turkiye.sarimollaoglu.com/art--culture/332-the-classical-turkish-music#10 |accessdate=22 April 2013}}</ref> There were also two singers. A ''köçek'' dance in the Ottoman [[Seraglio]] (palace harem) involved one or two dozen ''köçeks'' and many musicians. The occasions of their performances were wedding or circumcision celebrations, feasts and festivals, as well as the pleasure of the sultans and the aristocracy.<ref>{{cite web|url=http://jasminjahal.com/articles/02_02_male_belly_d.html|title=Male Belly Dance in Turkey|author=Jasmin Jahal|date=February 2002}}</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Their erotic dances, collectively known as ''köçek oyunu''<ins style="font-weight: bold; text-decoration: none;">, </ins>blended [[Arab]], [[:Category:Greece|Greek]], [[Assyria]]n and [[Kurdistan|Kurdish]] elements.<ref name="autogenerated1">{{cite web|url=http://archive.enet.gr/online/online_text?c=113&id=21944776,35729224,43627720 |title=Ελευθεροτυπία - Το ελληνικό γιουσουφάκι! |publisher=Archive.enet.gr |date= |accessdate=2011-12-05}}</ref> They were performed to a particular genre of music known as ''köçekce'', which was performed in the form of suites in a given melody. It too was a mix of [[Sufism|Sufi]], Balkan and [[Ottoman classical music|classical Anatolian]] influences, some of which survives in [[Music of Turkey|popular Turkish music]] today. The accompaniment included various percussion instruments, such as the ''davul-köçek'', the <ins style="font-weight: bold; text-decoration: none;">''</ins>[[davul]]<ins style="font-weight: bold; text-decoration: none;">'' </ins>being a large drum, one side covered with goat skin and the other in sheep skin, producing different tones. [[File:Turkish 19th century kocek dancer 01.jpg|thumb|right|250px|Postcard photograph of a ''köçek'' posing in costume, late 19th-century.]]A ''köçek'''s skill would be judged not only on his dancing abilities but also on his proficiency with percussion instruments, especially a type of [[castanets|castagnette]] known as the ''çarpare.''<ref name="Musical Gender Identity"/> In later times these were replaced by metal cymbals called ''[[<ins style="font-weight: bold; text-decoration: none;">zil</ins>]]s''. The dancers were accompanied by an orchestra, featuring four to five each [[Kemenche|''kaba kemence'']] and ''lauto'' as principal instruments, used exclusively for ''köçek'' suites.<ref>{{cite web |title=The Classical Turkish Music: Köçekçe |url=http://turkiye.sarimollaoglu.com/art--culture/332-the-classical-turkish-music#10 |accessdate=22 April 2013}}</ref> There were also two singers. A ''köçek'' dance in the Ottoman [[Seraglio]] (palace harem) involved one or two dozen ''köçeks'' and many musicians. The occasions of their performances were wedding or circumcision celebrations, feasts and festivals, as well as the pleasure of the sultans and the aristocracy.<ref>{{cite web|url=http://jasminjahal.com/articles/02_02_male_belly_d.html|title=Male Belly Dance in Turkey|author=Jasmin Jahal|date=February 2002}}</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The youths, often wearing heavy makeup, would curl their hair and wear it in long tresses under a small black or red velvet hat decorated with coins, jewels and gold. Their usual garb consisted of a tiny red embroidered velvet jacket with a gold-embroidered silk shirt, ''shalvars'' (baggy trousers), a long skirt and a gilt belt, knotted at the back. They were said to be "sensuous, attractive, effeminate,<del style="font-weight: bold; text-decoration: none;">" </del>and their dancing "sexually provocative,<del style="font-weight: bold; text-decoration: none;">" </del>impersonating female dancers. Dancers minced and gyrated their hips in slow vertical and horizontal figure-8's, rhythmically snapping their fingers and making suggestive gestures. Often acrobatics, tumbling and mock [[wrestling]] were also part of the act. The ''köçeks'' were available sexually, often to the highest bidder, in the passive role.<ref name="autogenerated1"/><ref>{{cite book|author=Danielle J. van Dobben|year=2008|title=Dancing Modernity: Gender, sexuality and the state in the late Ottoman Empire and early Turkish Republic|url=http://books.google.com/books?isbn=0549722319|publisher=The University of Arizona, Near Eastern Studies|isbn=0549722319}}</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The youths, often wearing heavy makeup, would curl their hair and wear it in long tresses under a small black or red velvet hat decorated with coins, jewels and gold. Their usual garb consisted of a tiny red embroidered velvet jacket with a gold-embroidered silk shirt, ''shalvars'' (baggy trousers), a long skirt and a gilt belt, knotted at the back. They were said to be "sensuous, attractive, effeminate<ins style="font-weight: bold; text-decoration: none;">"</ins>, and their dancing "sexually provocative<ins style="font-weight: bold; text-decoration: none;">"</ins>, impersonating female dancers. Dancers minced and gyrated their hips in slow vertical and horizontal figure-8's, rhythmically snapping their fingers and making suggestive gestures. Often acrobatics, tumbling and mock [[wrestling]] were also part of the act. The ''köçeks'' were available sexually, often to the highest bidder, in the passive role.<ref name="autogenerated1"/><ref>{{cite book|author=Danielle J. van Dobben|year=2008|title=Dancing Modernity: Gender, sexuality and the state in the late Ottoman Empire and early Turkish Republic|url=http://books.google.com/books?isbn=0549722319|publisher=The University of Arizona, Near Eastern Studies|isbn=0549722319}}</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The names and backgrounds of ''köçeks'' in Istanbul in the 18th century are well documented.<ref name="Dancing fear & desire"> Stavros Stavrou Karayanni (2006). Dancing Fear & Desire: Race, Sexuality and Imperial Politics in Middle Eastern Dance. WLU Press. ISBN 088920926X.</ref><ref name="Music and Gender">{{cite book|author=Tullia Magrini|year=2003|title=Music and Gender: Perspectives from the Mediterranean |url=http://books.google.com/books?id=WoI6AlKdsLgC&pg=PA96#v=onepage&q&f=false |publisher=University of Chicago Press |isbn=0226501663 |page=96}}</ref> Among the more celebrated ''köçeks'' from the end of the 18th century are the Gypsy Benli Ali of [[Didymoteicho|Dimetoka]] (today's [[Greece]]); ''Buyuk'' (big, older) Afet (born Yorgaki) of [[Croatia in the Habsburg Empire#The Ottoman incursion|Croatian]] origin, ''Kucuk'' (little) Afet (born Kaspar) of Armenian origin, and Pandeli from the Greek Island of Chiros. There were at least fifty ''köçeks'' of star stature at the time. The famous ones, like the [[Romani people|Gypsy]] ''köçek'' Ismail, would have to be booked weeks or months in advance, at a very high cost.<ref name="Music and Gender"/></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The names and backgrounds of ''köçeks'' in Istanbul in the 18th century are well documented.<ref name="Dancing fear & desire"> Stavros Stavrou Karayanni (2006). Dancing Fear & Desire: Race, Sexuality and Imperial Politics in Middle Eastern Dance. WLU Press. ISBN 088920926X.</ref><ref name="Music and Gender">{{cite book|author=Tullia Magrini|year=2003|title=Music and Gender: Perspectives from the Mediterranean |url=http://books.google.com/books?id=WoI6AlKdsLgC&pg=PA96#v=onepage&q&f=false |publisher=University of Chicago Press |isbn=0226501663 |page=96}}</ref> Among the more celebrated ''köçeks'' from the end of the 18th century are the Gypsy Benli Ali of [[Didymoteicho|Dimetoka]] (today's [[Greece]]); ''Buyuk'' (big, older) Afet (born Yorgaki) of [[Croatia in the Habsburg Empire#The Ottoman incursion|Croatian]] origin, ''Kucuk'' (little) Afet (born Kaspar) of Armenian origin, and Pandeli from the Greek Island of Chiros. There were at least fifty ''köçeks'' of star stature at the time. The famous ones, like the [[Romani people|Gypsy]] ''köçek'' Ismail, would have to be booked weeks or months in advance, at a very high cost.<ref name="Music and Gender"/></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l23">Line 23:</td>
<td colspan="2" class="diff-lineno">Line 23:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Western visitors were variously taken with the - for them - unusual sight of [[pederasty]] unleashed. One impression is preserved in ''Don Leon,'' a poem anonymously written in the voice of [[Lord Byron]]:</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Western visitors were variously taken with the - for them - unusual sight of [[pederasty]] unleashed. One impression is preserved in ''Don Leon,'' a poem anonymously written in the voice of [[Lord Byron]]:</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Saki - Reza Abbasi - Moraqqa’-e Golshan 1609 Golestan Palace.jpg|thumb|right|250px|''Saki'' ([[1609]]) by [[Reza Abbasi]] (1565–1635). Moraqqa’-e Golshan, [[Isfahan]], Iran; [[Golestan Palace]].]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Saki - Reza Abbasi - Moraqqa’-e Golshan 1609 Golestan Palace.jpg|thumb|right|250px|''Saki'' ([[1609]]) by [[Reza Abbasi]] (1565–1635). Moraqqa’-e Golshan, [[Isfahan]], Iran; [[Golestan Palace]].]]</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:''Here much I <del style="font-weight: bold; text-decoration: none;">saw – and </del>much I mused to see</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:''Here much I <ins style="font-weight: bold; text-decoration: none;">saw—and </ins>much I mused to see</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''The loosened garb of Eastern luxury.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''The loosened garb of Eastern luxury.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''I sought the brothel, where, in maiden guise,</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''I sought the brothel, where, in maiden guise,</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''The black-eyed boy his trade unblushing plies;</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''The black-eyed boy his trade unblushing plies;</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:''Where in lewd dance he acts the scenic <del style="font-weight: bold; text-decoration: none;">show –</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:''Where in lewd dance he acts the scenic <ins style="font-weight: bold; text-decoration: none;">show—</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''His supple haunches wriggling to and fro:</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''His supple haunches wriggling to and fro:</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''With looks voluptuous the thought excites,</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''With looks voluptuous the thought excites,</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l37">Line 37:</td>
<td colspan="2" class="diff-lineno">Line 37:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''With mien gallant where pæderasty smirks,</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''With mien gallant where pæderasty smirks,</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''And whoredom, felon like, in covert lurks.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''And whoredom, felon like, in covert lurks.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:''All this I <del style="font-weight: bold; text-decoration: none;">saw – but </del>saw it not <del style="font-weight: bold; text-decoration: none;">alone –</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:''All this I <ins style="font-weight: bold; text-decoration: none;">saw—but </ins>saw it not <ins style="font-weight: bold; text-decoration: none;">alone—</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''A friend was with me, and I dared not own</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''A friend was with me, and I dared not own</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''How much the sight had touched some inward sense,</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''How much the sight had touched some inward sense,</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l44">Line 44:</td>
<td colspan="2" class="diff-lineno">Line 44:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In his travels to the [[Levant]], Byron had indeed been present at such a dance as described above. His traveling companion, [[John Hobhouse, 1st Baron Broughton|John Cam Hobhouse]], relates in his diary that on Saturday, May 19, 1810:</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In his travels to the [[Levant]], Byron had indeed been present at such a dance as described above. His traveling companion, [[John Hobhouse, 1st Baron Broughton|John Cam Hobhouse]], relates in his diary that on Saturday, May 19, 1810:</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:''This day, went with Byron and a party to the [[Meyhane|wine houses]] of [[Galata]]. Took pipes, and saw two old and ugly boys, who wrung the sweat off their brows, dance as before, waving their long hair. Also they spread a mat and, putting on a kind of shawl, performed an [[Alexandria]]n woman’s <del style="font-weight: bold; text-decoration: none;">dance – much </del>the same, except that they knelt, and, covering each other’s heads, seemed as if kissing. One of [[Robert Adair (politician)|Mr Adair]]’s [[Janissary|Janissaries]], who talks English and has been in England, was with us. I asked him if these boys would not be hanged in England. “Oh yes, directly. De Turk take and byger dem d’ye see?”''</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:''This day, went with Byron and a party to the [[Meyhane|wine houses]] of [[Galata]]. Took pipes, and saw two old and ugly boys, who wrung the sweat off their brows, dance as before, waving their long hair. Also they spread a mat and, putting on a kind of shawl, performed an [[Alexandria]]n woman’s <ins style="font-weight: bold; text-decoration: none;">dance—much </ins>the same, except that they knelt, and, covering each other’s heads, seemed as if kissing. One of [[Robert Adair (politician)|Mr Adair]]’s [[Janissary|Janissaries]], who talks English and has been in England, was with us. I asked him if these boys would not be hanged in England. “Oh yes, directly. De Turk take and byger dem d’ye see?”''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''For this beastly sight we paid fifty-five piastres, five to the boys each, and five to all fiddlers and singers and performers &c., nor is this dear, I understand. Turk boys are not allowed to dance.'' [http://www.hobby-o.com/constantinople.php#ref42 Excerpt from Hobhouse's diary]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''For this beastly sight we paid fifty-five piastres, five to the boys each, and five to all fiddlers and singers and performers &c., nor is this dear, I understand. Turk boys are not allowed to dance.'' [http://www.hobby-o.com/constantinople.php#ref42 Excerpt from Hobhouse's diary]</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l50">Line 50:</td>
<td colspan="2" class="diff-lineno">Line 50:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The youths were held in high esteem. Famous poets, such as [[Fazyl bin Tahir Enderuni]], wrote poems, and classical composers, such as the court musician [[Dede Efendi|Hammamizade İsmail Dede Efendi]] (1778-1846), composed ''köçekces'' for celebrated ''köçeks''. Many Istanbul [[meyhane]]s (night-time taverns serving [[meze]], [[raki]] or wine) hired ''köçeks''. Before starting their performance, the ''köçek'' danced among the spectators, to make them more excited. In the audience, competition for their attention often caused commotions and altercations. Men would go wild, breaking their glasses, shouting themselves voiceless, or fighting and sometimes killing each other vying for the boys' sexual favors. This resulted in suppression of the practice under sultan Sultan [[Abd-ul-Mejid I]]. ''Köçek'' dances were officially banned in 1856, and many of the boys left the country to practice their profession in Egypt and elsewhere. With the suppression of [[Seraglio|harem culture]] under Sultan [[`Abdu'l-`Aziz]] (1861-1876) and Sultan [[Abdul Hamid II]] (1876-1908), ''köçek'' dance and music lost the support of its royal patrons, and gradually disappeared.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The youths were held in high esteem. Famous poets, such as [[Fazyl bin Tahir Enderuni]], wrote poems, and classical composers, such as the court musician [[Dede Efendi|Hammamizade İsmail Dede Efendi]] (1778-1846), composed ''köçekces'' for celebrated ''köçeks''. Many Istanbul [[meyhane]]s (night-time taverns serving [[meze]], [[raki]] or wine) hired ''köçeks''. Before starting their performance, the ''köçek'' danced among the spectators, to make them more excited. In the audience, competition for their attention often caused commotions and altercations. Men would go wild, breaking their glasses, shouting themselves voiceless, or fighting and sometimes killing each other vying for the boys' sexual favors. This resulted in suppression of the practice under sultan Sultan [[Abd-ul-Mejid I]]. ''Köçek'' dances were officially banned in 1856, and many of the boys left the country to practice their profession in Egypt and elsewhere. With the suppression of [[Seraglio|harem culture]] under Sultan [[`Abdu'l-`Aziz]] (1861-1876) and Sultan [[Abdul Hamid II]] (1876-1908), ''köçek'' dance and music lost the support of its royal patrons, and gradually disappeared.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The other type of ''rakkas<del style="font-weight: bold; text-decoration: none;">,</del>'' or male dancer (from ''raks<del style="font-weight: bold; text-decoration: none;">,</del>'' "dance") was the ''tavşan oğlan'', "rabbit boy,<del style="font-weight: bold; text-decoration: none;">" </del>a young dancer dressed in provocative male clothing: tight pants and a jaunty hat. The non-Muslim tavşan oğlan are thought to have come mainly from the Greek islands in the [[Aegean Sea|Aegean]] and the [[Sea of Marmara]]. They performed mainly during [[Ramadan]], working as ''saki''s "wine boys" in the ''meyhane''s otherwise, when not dancing at special occasions.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The other type of ''rakkas''<ins style="font-weight: bold; text-decoration: none;">, </ins>or male dancer (from ''raks''<ins style="font-weight: bold; text-decoration: none;">, </ins>"dance") was the ''tavşan oğlan'', "rabbit boy<ins style="font-weight: bold; text-decoration: none;">"</ins>, a young dancer dressed in provocative male clothing: tight pants and a jaunty hat. The non-Muslim tavşan oğlan are thought to have come mainly from the Greek islands in the [[Aegean Sea|Aegean]] and the [[Sea of Marmara]]. They performed mainly during [[Ramadan]], working as ''saki''s "wine boys" in the ''meyhane''s otherwise, when not dancing at special occasions.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Köçeks'' were much more sought after than the ''çengi'', their female counterparts. Some youths were known to have been killed by the <del style="font-weight: bold; text-decoration: none;">Çengi</del>, who were extremely jealous of men's attention towards the boys.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Köçeks'' were much more sought after than the ''çengi'', their female counterparts. Some youths were known to have been killed by the <ins style="font-weight: bold; text-decoration: none;">''çengi''</ins>, who were extremely jealous of men's attention towards the boys.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Modern offshoots ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Modern offshoots ==</div></td></tr>
</table>Dandelionhttps://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&diff=45180&oldid=prevDandelion: /* Roots */2020-02-18T09:44:36Z<p><span dir="auto"><span class="autocomment">Roots</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:44, 18 February 2020</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Roots ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Roots ==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The Turkish word is derived from the [[:Category:Persia|Persian]] word ''kuchak<del style="font-weight: bold; text-decoration: none;">,</del>'' "little," "<del style="font-weight: bold; text-decoration: none;">small</del>,<del style="font-weight: bold; text-decoration: none;">" </del>or "young.<del style="font-weight: bold; text-decoration: none;">"</del><ref>{{cite web|url=http://www.nisanyansozluk.com/?k=k%C3%B6%C3%A7ek |title=köçek |publisher=Nisanyansozluk.com |accessdate=2011-12-05}}</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The Turkish word is derived from the [[:Category:Persia|Persian]] word ''kuchak''<ins style="font-weight: bold; text-decoration: none;">, which means </ins>"little<ins style="font-weight: bold; text-decoration: none;">"</ins>, "<ins style="font-weight: bold; text-decoration: none;">small</ins>", or "young<ins style="font-weight: bold; text-decoration: none;">"</ins>.<ref>{{cite web|url=http://www.nisanyansozluk.com/?k=k%C3%B6%C3%A7ek |title=köçek |publisher=Nisanyansozluk.com |accessdate=2011-12-05}}</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The culture of the ''köçek'', which flourished from the 17th to the 19th century, had its origin in the customs in [[Ottoman Empire|Ottoman]] palaces, and in particular in the [[harem (household)|harems]]. Its genres enriched both the music and the dance of the Ottomans.<ref name="Musical Gender Identity"/></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The culture of the ''köçek'', which flourished from the 17th to the 19th century, had its origin in the customs in [[Ottoman Empire|Ottoman]] palaces, and in particular in the [[harem (household)|harems]]. Its genres enriched both the music and the dance of the Ottomans.<ref name="Musical Gender Identity"/></div></td></tr>
</table>Dandelionhttps://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&diff=45178&oldid=prevDandelion: Modified the introduction of the article2020-02-18T09:39:49Z<p>Modified the introduction of the article</p>
<a href="https://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&diff=45178&oldid=44705">Show changes</a>Dandelionhttps://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&diff=44705&oldid=prevDandelion: Modified the captions of three images2019-11-28T09:11:52Z<p>Modified the captions of three images</p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:11, 28 November 2019</td>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Turkish - Dancing Kocek - Late 19th c - wiki.jpg|thumb|250px|right|''Köçek with [[tambourine]]''<del style="font-weight: bold; text-decoration: none;"><br> </del>Entertainers, köçeks were in high demand in the [[:Category:Ottoman Empire|Ottoman Empire]]. They were sought by high and low, up to the Sultan<del style="font-weight: bold; text-decoration: none;">.<br>Photograph, late 19th c</del>.]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Turkish - Dancing Kocek - Late 19th c - wiki.jpg|thumb|250px|right|''Köçek with [[tambourine]]'' <ins style="font-weight: bold; text-decoration: none;">(Late 19th Century). </ins>Entertainers, köçeks were in high demand in the [[:Category:Ottoman Empire|Ottoman Empire]]. They were sought by high and low, up to the Sultan.]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The '''köçek''' phenomenon (plural ''köçekler'' in Turkish) is one of the significant features of [[:Category:Ottoman Empire|Ottoman Empire]] culture. The köçek was typically a very handsome young male ''rakkas,'' "dancer," usually cross-dressed in feminine attire, employed as an entertainer.<ref name="Musical Gender Identity">{{cite web|url=http://www.pera-ensemble.com/images/stories/artists/sehvar/musical%20gender%20identity.pdf|title=Music, Identity, Gender: Çengis, Köçeks, Çöçeks|author=Prof. Ş. Şehvar BEŞİROĞLU|publisher=[[ITU Turkish Music State Conservatory]], Musicology Department}}</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The '''köçek''' phenomenon (plural ''köçekler'' in Turkish) is one of the significant features of [[:Category:Ottoman Empire|Ottoman Empire]] culture. The köçek was typically a very handsome young male ''rakkas,'' "dancer," usually cross-dressed in feminine attire, employed as an entertainer.<ref name="Musical Gender Identity">{{cite web|url=http://www.pera-ensemble.com/images/stories/artists/sehvar/musical%20gender%20identity.pdf|title=Music, Identity, Gender: Çengis, Köçeks, Çöçeks|author=Prof. Ş. Şehvar BEŞİROĞLU|publisher=[[ITU Turkish Music State Conservatory]], Musicology Department}}</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Culture ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Culture ==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Koceks - Surname-i Vehbi.jpg|thumb|left|250px|<del style="font-weight: bold; text-decoration: none;">'</del>''Köçek troupe at a fair<del style="font-weight: bold; text-decoration: none;">''' </del>at Sultan Ahmed's 1720 celebration of his sons' circumcision. Miniature from the ''Surname-i Vehbi'', [[Topkapi Palace]], [[Istanbul]].]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Koceks - Surname-i Vehbi.jpg|thumb|left|250px|''Köçek troupe at a fair at Sultan Ahmed's 1720 celebration of his sons' circumcision<ins style="font-weight: bold; text-decoration: none;">''</ins>. Miniature from the ''Surname-i Vehbi'', [[Topkapi Palace]], [[Istanbul]].]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A köçek would begin training around the age of seven or eight, and would be considered accomplished after about six years of study and practice. A dancer's career would last as long as he was beardless and retained his youthful appearance.<ref name="Islamic homosexualities"/> Dancers would get married when they were around 25 or 30, and then could become organizers of a new köçek troupe. Köçeks were organized into companies known as ''kol.'' Twelve such companies were counted in the mid-1600s, each company averaging about 250 dancers.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A köçek would begin training around the age of seven or eight, and would be considered accomplished after about six years of study and practice. A dancer's career would last as long as he was beardless and retained his youthful appearance.<ref name="Islamic homosexualities"/> Dancers would get married when they were around 25 or 30, and then could become organizers of a new köçek troupe. Köçeks were organized into companies known as ''kol.'' Twelve such companies were counted in the mid-1600s, each company averaging about 250 dancers.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Western visitors were variously taken with the - for them - unusual sight of [[pederasty]] unleashed. One impression is preserved in ''Don Leon,'' a poem anonymously written in the voice of [[Lord Byron]]:</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Western visitors were variously taken with the - for them - unusual sight of [[pederasty]] unleashed. One impression is preserved in ''Don Leon,'' a poem anonymously written in the voice of [[Lord Byron]]:</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Saki - Reza Abbasi - Moraqqa’-e Golshan 1609 Golestan Palace.jpg|thumb|right|250px|''Saki'' ([[1609]]) by [[Reza Abbasi]] (<del style="font-weight: bold; text-decoration: none;">1565 - 1635</del>). Moraqqa’-e Golshan, [[Isfahan]], Iran; [[Golestan Palace]].]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Saki - Reza Abbasi - Moraqqa’-e Golshan 1609 Golestan Palace.jpg|thumb|right|250px|''Saki'' ([[1609]]) by [[Reza Abbasi]] (<ins style="font-weight: bold; text-decoration: none;">1565–1635</ins>). Moraqqa’-e Golshan, [[Isfahan]], Iran; [[Golestan Palace]].]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''Here much I saw – and much I mused to see</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''Here much I saw – and much I mused to see</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''The loosened garb of Eastern luxury.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:''The loosened garb of Eastern luxury.</div></td></tr>
</table>Dandelionhttps://www.boywiki.org/en/index.php?title=K%C3%B6%C3%A7ek&diff=44703&oldid=prevDandelion: Removed the article from the "Boylove in the Middle East" category2019-11-28T08:56:04Z<p>Removed the article from the "Boylove in the Middle East" category</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 08:56, 28 November 2019</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Ottoman Empire|Kocek]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Ottoman Empire|Kocek]]</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">[[Category:Boylove in the Middle East|Kocek]]</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Dance|Kocek]]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Dance|Kocek]]]</div></td></tr>
</table>Dandelion