The Mask Seller (Zacharie Astruc): Difference between revisions

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[[Image:ASTRUC Zacharie 1883 Le marchand de masques (détail) 500x378.jpg|250px|left]]
[[Image:ASTRUC Zacharie 1883 Le marchand de masques (détail) 500x378.jpg|250px|left]]
It is probably no coincidence that the pattern decorating the left buttock of the boy is a reproduction of a drawing of the famous crater type Greek red-figure vases of the 'Berlin painter[http://en.wikipedia.org/wiki/Berlin_Painter ]", representing [[Ganymede]] naked with a hoop and a rooster.
It is probably no coincidence that the pattern decorating the left buttock of the boy is a reproduction of a drawing of the famous crater type Greek red-figure vases of the 'Berlin painter[http://en.wikipedia.org/wiki/Berlin_Painter ]", representing [[Ganymede]] naked with a hoop and a rooster.Leaving out the other side of the vase, where the tip of Zeus’s spear completes the sexual symbolism, this discreet evocation is clearly pedosexual..
 
[[Image:ASTRUC Zacharie 1883 Le marchand de masques (détail) 500x372.jpg|250px|left]]
The front of the shorts  are just as amazing, a horse covers the boy's quite prominent defining characteristic. What is the suggestion here? That there is a possibility that the horse will rear up? Or is it an allusion to the myth of Ganymede, which Zeus compensated his removal by offering his father wonderful horses? One should note however, that the animal is being petted by hand by a woman.


Sans aller jusqu’à montrer l’autre face du vase (où [[Zeus]] pointe sa lance pour compléter la symbolique sexuelle), cette évocation discrète est néanmoins clairement pédérastique.


[[Image:ASTRUC Zacharie 1883 Le marchand de masques (détail) 500x372.jpg|250px|left]]
Sur le devant de la culotte, il est tout aussi étonnant de voir un cheval couvrir le sexe assez proéminent du garçon. Est-ce l’évocation d’une possibilité de se cabrer ? Ou encore une allusion au mythe de Ganymède, dont Zeus compensa l’enlèvement en offrant à son père des chevaux merveilleux ? On remarque cependant que l’animal est flatté de la main par une femme.


L’ensemble de ces motifs pourrait être interprété comme une affirmation et une illustration du caractère sexué, à la fois désirable et désirant, de l’adolescent, en même temps que de sa nature bisexuelle.
L’ensemble de ces motifs pourrait être interprété comme une affirmation et une illustration du caractère sexué, à la fois désirable et désirant, de l’adolescent, en même temps que de sa nature bisexuelle.

Revision as of 16:24, 12 February 2013



Zacharie Astruc's The mask seller, 1883 located at the Jardin du Luxembourg, Paris, France. Zacharie Astruc was a French artist. The The mask seller was created around 1883


The Mask Seller (Zacharie Astruc) fr:Le marchand de masques (Zacharie Astruc}

Translations

The Mask Seller is a bronze statue of the painter, poet, critic and French sculptor Zacharie Astruc, in 1883.

The work is exhibited in the Luxembourg Gardens, Paris.

This sculpture depicts a young boy standing, only wearing a pair of figure-hugging shorts embroidered antiquisants designs and a pair of sandals. Supported on the right leg, he holds in his left hand lifted above him a mask of Victor Hugo. At his feet around the base are other masks representing famous characters from the end of the 19th century (writers, painters, musicians, a sculptor, and a single politician).


Boylove References

It is probably no coincidence that the pattern decorating the left buttock of the boy is a reproduction of a drawing of the famous crater type Greek red-figure vases of the 'Berlin painter[1]", representing Ganymede naked with a hoop and a rooster.Leaving out the other side of the vase, where the tip of Zeus’s spear completes the sexual symbolism, this discreet evocation is clearly pedosexual..

The front of the shorts are just as amazing, a horse covers the boy's quite prominent defining characteristic. What is the suggestion here? That there is a possibility that the horse will rear up? Or is it an allusion to the myth of Ganymede, which Zeus compensated his removal by offering his father wonderful horses? One should note however, that the animal is being petted by hand by a woman.


L’ensemble de ces motifs pourrait être interprété comme une affirmation et une illustration du caractère sexué, à la fois désirable et désirant, de l’adolescent, en même temps que de sa nature bisexuelle.




Notes et références

  • ↑ Jardins du Luxembourg : 48° 50′ 46.32″ N, 2° 20′ 18.44″ E.